1. REVIEWS OF EXHIBITIONS
1.a Exhibitions: Ancient to
Medieval
"Sailing to Byzantium" ("Glory of Byzantium" at Met), The Art
Newspaper, March 1997, p. 18.
"Ancient Aesthetics: The Art of Primeval Europe," New York City Tribune, Nov.
26, 1987, pp. 14, 10.
"Artfully Presented Artifacts at the Met Museum This Holiday Season," New
York City Tribune, Dec. 24, 1987, pp. 14, 10.
"A Celebrated Medieval Manuscript Offers Glimpse of Ancient Painting," New
York City Tribune, Mar. 16, 1988, pp. 14, 10.
"The Human Figure in Early Greek Art," New York City Tribune, May 31, 1988,
pp. 14, 10.
"King Herod's Dream City: Caesarea on the Sea," New York City Tribune, June
2, 1988, pp. 14, 10.
"Beautiful Hebrew Manuscripts and Books Displayed at The N.Y. Library," New
York City Tribune, Oct. 26, 1988, pp. 16, 14.
"Ancient Art From the Land of The Pharaohs," New York City Tribune, Oct. 31,
1988, pp. 16, 14.
"Hebrew Manuscripts and Books From the Valmadonna Trust," New York City
Tribune, Mar. 22, 1989, p. 16.
"King Herod's Dream," The Standard-Times (New Bedford, Mass.), June 15, 1989,
pp. C 1-2.
"Sample the Splendor of Caesarea," Springfield Republican (Springfield,
Mass.), June 18, 1989, pp. T1, T8.
"'Idols: Beginning of Abstract Form' at Ariadne Galleries," New York City
Tribune, Jan. 15, 1990, p. 16.
"The Golden Age Of Dutch Paintings" (Early manuscript painting), New York
City Tribune, Mar. 6, 1990, p. 16.
"Rediscover Pompeii The High-Tech Way," New York City Tribune, Aug. 13, 1990,
pp. 16, 14.
"The Best of the Ancients at the Met" (Shelby White and Leon Levy Coll.), New
York City Tribune, Sept. 21, 1990, pp. 16, 14.
"Glories of the Past" (Shelby White and Leon Levy Coll.), The World & I,
Feb. 1991, pp. 210-11.
"Smithsonian welcomes Mesopotamian loan," The Art Newspaper, May 1992, p. 14.
"The Art of Islamic Spain," The World & I, Sept. 1992, pp. 266-71.
"Egypt's dazzling sun: Amenhotep III and his world (Fort Worth: Cleveland's
seventy-fifth anniversary exhibition includes important new discoveries)," The Art
Newspaper, Oct. 1992, p. 13.
"'Cut up missal in evening--hard work' Ruskin (Pierpont Morgan Library: Bernard
Breslauer has the finest collection of illuminated leaves in the U.S., on display this
month for the first time)," The Art Newspaper, Dec. 1992, p. 8.
"Ottoman splendors in Texas" (Topkapi exhibition at MFA, Houston), The Art
Newspaper, June 1995, p. 13.
"Enamels of Limoges: victims of their own success" (Louvre, Metropolitan),
The Art Newspaper, Oct. 1995, p. 8.
"Gli smalti Limoges hanno pagato lo scotto della popolarità" (Metropolitan
and Louvre), Il Giornale dell'arte, Oct. 1995, p. 14.
"Olmec art by secret convoy" (National Gallery), The Art Newspaper, July-Aug.
1996, p. 10.
"Washington sous le signe des Olmèques," Le Journal des Arts, July-Aug.
1996, p. 15.
"Bronzes, the rarest and
most valuable classical art" (Toledo, Ohio/Cambridge, Mass.), The Art Newspaper, Oct.
1996, p. 13.
"Forgery is fun for all" (Nelson-Atkins show), The Art Newspaper, Nov. 1996,
p. 19.
"Una scienza altamente inesatta: la datazione dei bronzi" (Harvard's show at
Toledo Museum), Il Giornale dell'arte, Nov. 1996, p. 69.
"La seconda età dell'oro di Bisanzio" (at Metropolitan), Il Giornale
dell'arte, Mar. 1997, p. 17.
"En route pour Byzance" (Metropolitan), Le Journal des Arts, Apr. 4, 1997, p.
7.
"To the greater glory of
antiquity?" (Met's new galleries of Greek art), The Art Newspaper, May 1999, pp.
18-19.
"Postmodern religious relativism" (Schnütgen Museum at Boston College), The
Art Newspaper, May 2000, p. 31.
“Show of Netherlandish art another charm of Brugge,” The Washington Times,
June 15, 2002, p. E4.
“The $24 million blockbuster” (Egyptian art tours North America), The Art
Newspaper, July-Aug. 2002, p. 7.
[return to Contents]
1.b Exhibitions:
Renaissance to Modern (single-artist shows)
"Andrea Mantegna's Masterful 'Descent Into Limbo'," New York City Tribune,
July 21, 1988, pp. 14, 10.
"Jose [sic.] Campeche: Society Painter in Colonial Puerto Rico," New York
City Tribune, July 22, 1988, pp. 14, 10.
"Paolo Caliari: Artist of Venice's Golden Age," New York City Tribune, Jan.
23, 1989, pp. 16, 14.
"First U.S. Exhibition of Artist Guido Reni at L.A. County Museum," New York
City Tribune, Jan. 25, 1989, pp. 16, 14.
"Goya and the Spirit Of the Spanish Enlightenment," New York City Tribune,
Mar. 2, 1989, pp. 16, 14.
"Goya Triumphant," The World & I, May 1989, pp. 198-203.
"Architect of Elizabethan England: Inigo Jones," New York City Tribune,
May 12, 1989, pp. 16, 14.
"Art's Final Word on War -- Goya and Dix," New York City Tribune, May 17,
1989, p. 16.
"Baroque Sentiment to Spare," The World & I, June 1989, pp. 200-07.
"Velázquez: Anticipating the
Impressionists," The World & I, Sept. 1989, pp. 276-83.
"Velazquez [sic.]--Baroque Age Brilliance," New York City Tribune, Oct. 3,
1989, p. 16.
"Canaletto and Piranesi: Views Of Both Venice And Rome," New York City
Tribune, Oct. 31, 1989, p. 16.
"Frans Hals The People's Painter," The World & I, Dec. 1989, pp. 226-31.
"Hals and Church at the National Gallery," New York City Tribune, Dec. 11,
1989, pp. 16, 14.
"Canaletto & Bonnard at the Metropolitan," New York City Tribune, Dec.
12, 1989, pp. 16, 14.
"On the Trail of an
Old Master: `The Lute Player'" (Caravaggio), New York City Tribune, Mar. 19, 1990, p.
16.
"Splendor of `The Feast of the
Gods' Is Restored" (Gio. Bellini), New York City Tribune, Mar. 19, 1990, p. 14.
"The Grand Old Master of Venice" (Titian), The World & I, Nov. 1990, pp.
220-25.
"Dürer's `Apocalypse' in Contemporary Context," The Journal of Art, Feb.
1991, p. 13.
"Rembrandt Reconsidered," The World & I, Mar. 1992, pp. 202-09.
"Revising Mantegna," The World & I, July 1992, 236-41.
"Jusepe de Ribera: A Spanish Realist in Baroque Italy," The World & I,
December 1992, pp. 196-201.
"Much loved but still mysterious: Vermeer (National Gallery of Art,
Washington)," The Art Newspaper, Nov. 1995, p. 14.
"Copley's two lives in two exhibitions," The Art Newspaper, Feb. 1996, p. 8.
"A Dutchman's
Hearth and Soul" (deHooch in Hartford), The Washington Post, Feb. 7, 1999, p. G6.
"Not what the Pilgrim fathers had in mind" (Caravaggio shows at Boston
College and Wadsworth Atheneum), The Art Newspaper, April 1999, p. 18.
"El viaje imprevisto de Caravaggio" (Boston & Hartford), El Periodico de
Arte, May 1999, p. 14.
"We want students to hold these drawings in their hands" (George and Maida
Abrams), The Art Newspaper, Feb. 2000, p. 28.
“Show of Netherlandish art another charm of Brugge” (Jan van Eyck), The
Washington Times, June 15, 2002, p. E4.
[return to Contents]
1.c Exhibitions:
Renaissance to Modern (group shows)
"A Renaissance of Master Painters Exhibited at the Colnaghi Gallery," New
York City Tribune, Jan. 10, 1989, p. 16.
"'Painting in Renaissance Siena' at the Metropolitan," New York City Tribune,
Jan. 25, 1989, pp. 16, 14.
"Spotlight on Siena," The World & I, Mar. 1989, pp. 208-13.
"Pastoral Tradition in Western Art," American Arts Quarterly, Spring 1989,
pp. 17-22.
"Cinquecento Sienese Art," American Arts Quarterly, Spring 1989, pp. 32-34.
"Loan Shows From England Canada in Washington" (Fitzwilliam; National
Gallery, Ottawa), New York City Tribune, May 15, 1989, pp. 16, 14.
"Old Masters From
Texas at the Frick," New York City Tribune, Nov. 20, 1989, pp. 16, 14.
"Master Drawings from the Woodner Collection," New York City Tribune, Apr.
30, 1990, pp. 16, 14.
"From Poussin to Matisse at the Met," New York City Tribune, May 30, 1990, p.
16.
"The Academic
Tradition Revisited," New York City Tribune, July 26, 1990, pp. 16, 14.
"Academic Tradition Revisited," American Arts Quarterly, Fall 1990, pp.
27-29.
"Views of Amsterdam and Venice: Cities on the Water," The Journal of Art,
Feb. 1991, p. 14.
"How Did the Queen Get All Those Pictures?," The Journal of Art, Dec. 1991,
p. 12.
"Minneapolis Institute pays tribute to long-serving trustee Bruce B. Dayton,"
The Art Newspaper, May 1992, p. 5.
"Poland's noble collections tour the U.S. (Old Master drawings: The northern works
stand out)," The Art Newspaper, May 1993, p. 9.
"Ma Havemeyer surclassa Annenberg per generosità e stile" (Havemeyer
Collection at the Metropolitan)," Il Giornale dell'Arte, May 1993, p. 16.
"A tribute to one of the richest men in pre-income-tax America (Metropolitan
Museum, New York: The Havemeyer bequest)," The Art Newspaper, June 1993, p. 14.
"How Dutch was the Netherlands' Golden Age?" (Rijksmuseum, Amsterdam: Art
from the Northern Netherlands 1580-1620), The Art Newspaper, Dec. 1993, p. 13.
"Il secolo è d'oro, il sangue è blu" (Rijksmuseum, Amsterdam: Art from the
Northern Netherlands), Il Giornale dell'Arte, Dec. 1993, p. 15.
"Venetian Splendours in Minneapolis" (From MFA, Budapest), The Art
Newspaper,Dec. 1995, p. 11.
"Rembrandt/Not Rembrandt" (Metropolitan Museum of Art), Atelier, Mar. 1996,
pp. 48-55.
"Russians recreate their recreations (Jackson, Mississippi)," The Art
Newspaper, Apr. 1996, p. 8.
"L'Amérique espagnole" (Colonial show at Brooklyn Museum), Le journal des
arts, Apr. 1996, p. 14.
"1492 plus some" (Brooklyn Museum's "Converging Cultures"), The Art
Newspaper, July-Aug. 1996, p. 7.
"Opulent Jewry in European history" (Jewish Museum, NY), The Art Newspaper,
Sept. 1996, p. 16.
"Les Rothschild côté cour" (Jewish Museum, NY), Le journal des arts, Oct.
1996, p. 14.
"The Peale dynasty (Philadelphia)," The Art Newspaper, Dec. 1996, p. 15.
"Casta paintings: a racial study book" (Americas Society), The Art Newspaper,
Dec. 1996, p. 19.
"Casta Paintings" (Americas Society), Le Journal des Arts, Dec. 1996, p. 9.
"Angels in America (How to borrow the Vatican's best)," The Art Newspaper,
Feb. 1998, p. 15.
"Le Vatican et son mécène (Cleveland show & "Angels" tour), Le
Journal des Arts, Feb. 27, 1998, p. 7.
"The instant, $20 million, English art collection" (William Berger in
Denver), The Art Newspaper, April 1998, p. 23.
"Going north to the South" (Mexico's San Carlos Museum), The Art Newspaper,
April 2000, p. 10.
“Lovely, misleading
Renaissance visions” (Renaissance portraits of women at National Gallery), The
Baltimore Sun, Dec. 16, 2001, p. 2E.
“Show of Netherlandish art another charm of Brugge” (Jan van Eyck and
Southern European art), The Washington Times, June 15, 2002, p. E4.
[return to Contents]
1.d Exhibitions:
Nineteenth- and Twentieth-Century (single-artist shows)
"More Innovation From Picasso," New York City Tribune, Nov. 23, 1987, pp. 14,
10.
"Fernand Leger: Cubism in a Proletarian Key," New York City Tribune, Nov. 27,
1987, pp. 14, 10.
"Cubist Davis' Whitney Exhibit Boxes His Style In," New York City Tribune,
Dec. 10, 1987, pp. 14, 10.
"Stuart Davis: The Breakthrough Years," New York City Tribune, Dec. 21, 1987,
pp. 14, 10.
"The Art of Piet Mondrian Has Its Pluses and Minuses," New York City Tribune,
Jan. 25, 1988, pp. 14, 10.
"Picasso's Late Drawings--Obsessions or Retrospection?" New York City
Tribune, Feb. 16, 1988, pp. 14, 10.
"Abstract vs. Realism: Finding the Real Meaning" (Giacometti), New York City
Tribune, Mar. 17, 1988, pp. 14, 10.
"A Show for Connoisseurs: Cezanne's Basel Sketchbooks," New York City
Tribune, Mar. 28, 1988, pp. 14, 10.
"Josef Albers Retrospective at the Guggenheim," New York City Tribune, Apr.
25, 1988, pp. 14, 10.
"The National Gallery Presents: 'The Art of Paul Gauguin'," New York City
Tribune, May 2, 1988, pp. 14, 10.
"Paul Klee, Pioneer of Abstract Art, at the Metropolitan Museum," New York
City Tribune, May 26, 1988, pp. 14, 10.
"The Ian Woodner Collection of Odilon Redon Paintings in Washington," New
York City Tribune, May 27, 1988, pp. 14, 10.
"Constable's Landscape Sketches Reexamined," New York City Tribune, June 15,
1988, pp. 14, 10.
"Guggenheim Museum Honors Cubist Pioneer, Georges Braque," New York City
Tribune, July 25, 1988, pp. 14, 10.
"Mellifluous Matisse Prints Return Home to MOMA," New York City Tribune,
Sept. 21, 1988, pp. 16, 14.
"Giacometti Retrospective in Washington," New York City Tribune, Oct. 4,
1988, pp. 16, 14.
"Fitz Hugh Lane Paintings: Landmarks of 'Luminism'," New York City Tribune,
Oct. 5, 1988, pp. 16, 14.
"Fitz Hugh Lane: Transcendental Luminist," The World & I, Nov. 1988, pp.
264-71.
"Futurist Umberto Boccioni Surveyed At the Met," New York City Tribune, Dec.
12, 1988, pp. 16, 14.
"Umberto Boccioni: Discovering the Theorist of Futurism" (by "Edward
Jacobson") The World & I, Feb. 1989, pp. 217-21.
"Courbet Reconsidered," The World & I, Apr. 1989, pp. 206-13.
"Brancusi Seen Through Blinders," New York City Tribune, Apr. 27, 1989, p.
16.
"Art's Final Word on War -- Goya and Dix," New York City Tribune, May 17,
1989, p. 16.
"Central Park: Remembering an Ideal," New York City Tribune, June 28, 1989,
p. 16.
"Picasso and Braque:
Mano a Mano," The World & I, Oct. 1989, pp. 278-83.
"Portraiture: Noguchi's Early Forte," New York City Tribune, Nov. 14, 1989,
pp. 16, 14.
"Hals and Church at the National Gallery," New York City Tribune, Dec. 11,
1989, pp. 16, 14.
"Canaletto & Bonnard at the Metropolitan," New York City Tribune, Dec.
12, 1989, pp. 16, 14.
"Hopper and the 'Chaos of Ugliness'," The World & I, Jan. 1990, pp.
286-93.
"Quest for Beauty: Louis Comfort Tiffany," American Arts Quarterly, Winter
1990, pp. 21-27.
"Thomas Hart Benton: An American Original," New York City Tribune, Jan. 23,
1990, pp. 16, 14.
"Sublime Psalms of Light" (F.E. Church), The World & I, Feb. 1990, pp.
198-203.
"To Find the Meaning in Monet," New York City Tribune, Feb. 8, 1990, p. 16.
"John Marin: From Whistler to Pollock," New York City Tribune, Mar. 13, 1990,
p. 16.
"The Metropolitan Museum of Art Exhibits Louis Comfort Tiffany Masterworks,"
New York City Tribune, Apr. 17, 1990, p. 16.
"Van Gogh: A Superb Centennial Celebration," New York City Tribune, Apr. 24,
1990, p. 16.
"The
Intimate Interiors of Edouard Vuillard," New York City Tribune, May 28, 1990, pp. 16,
14.
"A Visual Travel Guide: `Matisse in Morocco,'" New York City Tribune, June
21, 1990, p. 16.
"Van Gogh Superstar," The World & I, July 1990, pp. 206-13.
"The Reality of Delacroix's Passion," The Journal of Art, Apr. 1991, p. 11.
"Liubov Popova: Art into Life," The World & I, Aug. 1991, pp. 238-43.
"Milton Avery, Sans Colors," New York City Tribune, Oct. 16, 1990, p. 16.
"What Remains of the Real Ryder," The Journal of Art, Dec. 1990, p. 18.
"Ryder," New York City Tribune, Dec. , 1990, pp. 16, 14.
"Albert Bierstadt: Art & Enterprise," American Arts Quarterly, Winter
1992, pp. 20-27.
"Stuart
Davis, American Modernist" The World & I, April 1992, pp. 196-201.
"Wifredo Lam, Multicultural Modernist," The World & I, March 1993, pp.
130-135.
"Juan
Gris, Cubism's Great Theorist," The World & I, July 1993, pp. 140-145.
"Eakins in London," The New York Review of Art, Feb. 1994, pp. 5-6.
"Redon Reconsidered (In Chicago, the First major U.S. Retrospective of the
Artist's Works)," The Washington Post, July 31, 1994, pp. G6-7.
"Gli istinti fratricidi di Redon (Chicago, Amsterdam, Londra: Una mostra getta
nuova luce sulla tormentata figura del simbolista)," Il Giornale dell'Arte,
July-Sept. 1994, p. 8.
"Odilon Redon révélé (Chicago: Collaboration américano-hollando- anglaise pour
une grande rétrospective)," Le journal des arts, Sept. 1994, p. 12.
"Epilepsy and sibling rivalry" (Odilon Redon in Amsterdam), a The Art
Newspaper, Oct. 1994, p. 17.
"The Reveries of Redon," The New York Review of Art, Dec. 1994, pp. 7-9.
"Première rétrospective Baldus (Metropolitan Museum of Art)," Le Journal
des arts, Nov. 1994, p. 20.
"Nolde, the rejected Nazi (Boston and Los Angeles)," The Art Newspaper, Feb.
1995, p. 16.
"Kandinsky's 'Compositions' - a connoisseur's show (MoMA)," The Art
Newspaper, Feb. 1995, p. 16.
"I consider Tàpies the best Spanish artist (SoHo, New York: Guggenheim curator
Carmen Gimenez on her latest show)," The Art Newspaper, Feb. 1995, p. 17.
"Kandinsky essentiel (MoMA-New York)," Le Journal des arts, Mar. 1995, p. 14.
"L'Expressionnisme aggravé de Nolde (Boston)," Le Journal des arts, Mar.
1995, p. 15.
"Kandinskij: ricomposte le 'Composizioni'" (MoMA), Il Giornale dell'Arte,
Feb. 1995, p. 10.
"The Whitney does Hopper again, but differently," The Art Newspaper, June
1995, p. 11.
"Hopper, Scarface e Psycho (Al Whitney Museum)," Il Giornale dell'Arte,
July-Aug. 1995, p. 14.
"Edvard Munch, yes: Harald Sohlberg, who?" (National Academy of Design), The
Art Newspaper, Oct. 1995, p. 9.
"'Picasso et le Portrait': le chant du cygne de William Rubin," Le journal
des arts, May 1996, pp. 16-17.
"Very popular post-Glasnost Chagall" (Jewish Museum, NY), The Art Newspaper,
June 1996, p. 8.
"Biting sharks" ("Winslow Homer" at the Metropolitan), The Art
Newspaper, July-Aug. 1996, p. 10.
"Tissot in Ontario" (Art Gallery of Ontario), The Art Newspaper, July-Aug.
1996, p. 11.
"Ceci n'est pas une retrospective" (Magritte at Montreal MFA), The Art
Newspaper, July-Aug. 1996, p. 12.
"Neue Sachlichkeit in Amerika?" (Grant Wood in Worcester), The Art Newspaper,
Oct. 1996, p. 20.
"New York revives an old love affair with Corot (The Met, Brooklyn and
Salander-O'Reilly Gallery), The Art Newspaper, Dec. 1996, p. 18.
"Der schöne Po" (Hanna Höch at MoMA), The Art Newspaper, Feb. 1997, p. 17.
"Hand in hand: Rodin and Michelangelo" (Philadelphia exhibition), The Art
Newspaper, Apr. 1997, p. 20.
"Picasso: the protean prodigy" (National Gallery exhibition), The Art
Newspaper, Apr. 1997, p. 23.
"Deux Rodins sinon rien" (Philadelphia Museum shows), Le Journal des Arts,
May 2, 1997, p. 8.
"Qui a peur de Kupka?" (Dallas retrospective), Le Journal des Arts, May 30,
1997, p. 7.
"The fields of David Smith" (Storm King), The Art Newspaper, June 1997, pp.
13.
"Kupka come-back" (Dallas), The Art Newspaper, June 1997, p. 13.
"Mexico à la mode" (Siquieros, Izquierdo in Houston, New York), The Art
Newspaper, July-Aug. 1997, p. 13.
"Culture de sculptures" (David Smith at Storm King), Le Journal des Arts,
July 4, 1997, p. 12.
"Chaim Soutine's Colorful Expression" (Charles Ray & Wyeth at Whitney),
The Washington Post, July 19, 1998, p. G7-8.
"Thoroughly Modern Monet at Boston's Fine Arts," The Washington Post, Oct.
25, 1998, p. G5.
[return to Contents]
1.e Exhibitions:
Nineteenth- and Twentieth-Century (group shows)
"Whitney Museum Displays Artists' Disdain For 'The Social Graces,'" New York
City Tribune, Sept. 17, 1987, pp. 14, 10.
"American Paradise: Painters of the Hudson River School," American Arts
Quarterly, Winter 1988, pp. 6-14.
"The Dreyfus Affair: Inexcusable Turn-of-the-Century Foul Up," New York City
Tribune, Dec. 4, 1987, pp. 14, 10.
"'The American Watercolor Movement': 19th-Century Splendor," New York City
Tribune, Jan. 28, 1988, pp. 14, 10.
"American Watercolors are Celebrated," American Arts Quarterly, Spring 1988,
pp. 27-28.
"Czechoslovakia Sends its Modern Art to the Guggenheim," New York City
Tribune, June 16, 1988, pp. 14, 10.
"Russian and Soviet Paintings From State Collections," New York City Tribune,
Sept. 6, 1988, pp. 14, 10.
"Morgan Library Explores Music History in Manuscripts," New York City
Tribune, Sept. 26, 1988, pp. 16, 14.
"Excess and Elegance in Turn-of-the-Century Munich," New York City Tribune,
Oct. 10, 1988, pp. 16, 14.
"Modern Art In the 'Latin American Spirit'," New York City Tribune, Dec. 13,
1988, pp. 16, 14.
"British Drawings: A World Of Quietness And Ease," New York City Tribune,
Apr. 24, 1989, pp. 16, 14.
"Grand Illusions: American History Painting," American Arts Quarterly, Spring
1989, pp. 25-27.
"Phillips Collection Masterworks," New York City Tribune, May 16, 1989, p.
16.
"Annenberg Collection Comes Out of Hiding in Philadelphia," New York City
Tribune, June 5, 1989, p. 16.
"A Very Mixed (Albeit Interesting) Bag at IBM Exhibit," New York City
Tribune, Sept. 20, 1989, p. 16.
"Superb Private Collections at The Metropolitan" (Manoogian and Gelman), New
York City Tribune, Jan. 29, 1990, pp. 16, 14.
"From Poussin to Matisse at the Met," New York City Tribune, May 30, 1990, p.
16.
"Three Shows Of 19th-Century French Painting," New York City Tribune, June 6,
1990, pp. 16, 14.
"NYPL Exhibit Honors Benefactors," New York City Tribune, Oct. 15, 1990, p.
16. "American Rococo," The World & I, May 1992, pp. 184-89.
"Minneapolis Institute pays tribute to long-serving trustee Bruce B. Dayton,"
The Art Newspaper, May 1992, p. 5.
"Boston and Impressionism -- when you've got a good thing...," The Art
Newspaper, May 1992, p. 7.
"Rival collections converge (Los Angeles County Museum of Art: Paley and Wertheim
Impressionists on show this month)," The Art Newspaper, Feb. 1993, p. 5.
"New Yorkers to get a glimpse of Nazi cultural policies and their
repercussions," The Art Newspaper, Feb. 1993, p. 6.
"Ma Havemeyer surclassa Annenberg per generosità e stile (Metropolitan Museum:
Haveneyer bequest)," Il Giornale dell'Arte, May 1993, p. 16.
"A tribute to one of the richest men in pre-income-tax America (Metropolitan
Museum, New York: The Havemeyer bequest of 1929 contains the best in nineteenth-century
French art)," The Art Newspaper, June 1993, p. 14.
"How we remember the Holocaust (New York)" (Jewish Museum survey of Holocaust
memorials), The Art Newspaper, Apr. 1994, p. 6.
"Impressionnisme et réalisme (New York: Une exposition présente la peinture
américaine au tournant du siècle)," Le journal des arts, June 1994, p. 9.
"Denmark's Gilded
Age," The New York Review of Art, Summer 1994, pp. 10-11.
"Rivoluzionario come Giotto, sensuale come il Barocco, eccitante come la musica
(Al Guggenheim l'Astrattismo secondo Rosenthal)," Il Giornale dell'arte, Feb. 1996,
p. 10.
"German Expressionist self-portraits" (R.S. johnson, Chicago), The Art
Newspaper, May 1997, p. 51.
"From ginger pots to Kleenex" (Still life at MoMA), The Art Newspaper,
July-Aug. 1997, p. 13.
"Montréal et les fantasies du Design" (Decorative Arts Museum), Le Journal
des Arts, July 4, 1997, p. 17.
"La naturaleza muerta ya no es lo que era" (MoMA exhibition), El Periodico
del Arte, Aug.-Sept. 1997, p. 3.
"The American canon presented (half, so far)" (Whitney permanent- coll.
galleries), The Art Newspaper, April 1998, p. 26.
"La metamorfosis (Un importante cambio en el Museum Whitney de Nueva York)"
(co-author J.A.Alvarez Reyes), El Periodico del Arte, May 1998, p. 7.
"Paper Weight" (Morgan Library collects modern drawings), The Art Newspaper,
June 1999, p. 22.
"From beyond the Rio Grande and the Great Lakes" ("Mexican modern
art" in Canada), The Art Newspaper, Jan. 2000, p. 12.
"Tate and MoMA Rehang
Themselves," The Wall Street Journal, May 12, 2000, p.W15C.
"The Tate Modern: Contents and Discontents," Insight Magazine
(eartgroup.com), May 23, 2000.
"Open Letter: Out With The Old" (revisionist installations at Tate &
MoMA), Everything Art Magazine No. 19 (June-July 2000), ArtStar.com.
“Dynamic Duo” (Neue
Galerie and American Folk Art Museum, NY), Los Angeles Times, Jan. 9, 2002,
“Calendar” pp. F1, 8-9.
[return to Contents]
1.f Exhibitions:
Contemporary (1970 to present) (single-artist shows)
"Sonia Gechtoff Retrospective: Intriguing Geometric Landscapes," and
"Georgia's 'New South Group' at Exhibition Space," New York City Tribune, Sept.
30, 1987, pp. 14, 10.
"Vito Acconci: Conceptual Artist in Search of ????," New York City Tribune,
Oct. 8, 1987, pp. 14, 10.
"Frank Stella: Delivering
Abstract Art to You in 3-D," New York City Tribune, Nov. 16, 1987, pp. 14, 10.
"Willem DeKooning: An Agitated Artist," New York City Tribune,Nov. 23, 1987,
pp. 14, 10.
"Rich Color and Texture Identify Frankenthaler's Paintings," New York City
Tribune, Dec. 15, 1987, p. 14.
"Baselitz: Dealing With the Specter of Fascism," New York City Tribune, Dec.
15, 1987, p. 14.
"Multi-Talented Edwin Schlossberg Exhibits His Work," New York City Tribune,
Dec. 16, 1987, p. 14.
"Nancy Graves: A Hot Sculptress Whose Work is Lukewarm," New York City
Tribune, Jan. 19, 1988, pp. 14, 10.
"Richard Artschwager Seeks the Art 'of Cabinetry'" New York City Tribune,
Feb. 26, 1988, pp. 14, 10.
"Acconci Shows He's Capable of Designing Public Artworks," New York City
Tribune, Feb. 29, 1988, pp. 14, 10.
"Looking to the Paintings of the Past, Jim Dine Creates Anew," New York City
Tribune, Mar. 2, 1988, p. 14.
"Motion and Drama Spring from Rothenberg's Paintings," New York City Tribune,
Mar. 2, 1988, p. 10.
"Anselm Kiefer's Struggle for Purification," New York City Tribune, Apr. 7,
1988, pp. 14, 10.
"Four Exhibits, Each Unique in Scale and Purpose," New York City Tribune,
Apr. 22, 1988, pp. 14, 10.
"'Con Artist' Mark Kostabi: On the Make and Making It," New York City
Tribune, Apr. 26, 1988, pp. 14, 10.
"'The Naked Artist': Secret Surrealist Desmond Morris," New York City
Tribune, May 5, 1988, pp. 14, 10.
"Silly & Serious: A View of Two Contemporary Artists" (Elizabeth Murray
& Donald Sultan), New York City Tribune, May 23, 1988, pp. 14, 10.
"Jacobo Borges: Contorted Figures On a Canvas of Political Turmoil," New York
City Tribune, June 20, 1988, pp. 14, 10.
"Borges es uno de las Artistas Mas Valiosos del Hemisferio Occidental,"
"Ultimas Noticias", Caracas, Venezuela, July 17, 1988, p. 70.
"Robert Cumming & Vernon Fisher: Ambiguity and Its Discontent," New York
City Tribune, Sept. 5, 1988, pp. 14, 10.
"The Work of Anselm Kiefer: Scorched, Scoured, Brushed & Gouged," New
York City Tribune, Nov. 9, 1988, pp. 16, 14.
"Judite Dos Santos," CEPA Journal (Center for Experimental Perceptual Arts,
Buffalo, NY; Vol. 4, Issue 1), 1989, pp. 36-37.
"Gerhard Richter Runs the Gamut of Modernist Styles," New York City Tribune,
Jan. 24, 1989, p. 14.
"Multimillion Dollar Modern Art Maps," New York City Tribune, Mar. 8, 1989,
p. 16.
"George Segal: He's Still a Whole Lot Better Than Warhol," New York City
Tribune, Apr. 6, 1989, pp. 16, 14.
"Frank Stella: Contemporary Arts Museum, Houston, Texas, February 11-April
23," Artpapers, May/June 1989, p. 63.
"Antony Gormley's Human Cyphers," New York City Tribune, May 10, 1989, p. 16.
"Wilmarth's Landscapes of Glass and Steel," New York City Tribune, June 16,
1989, p. 16.
"'Helga':
Cavalcade of Wyeth's Technical Skill," New York City Tribune, July 4, 1989, p. 16.
"-- Three Young Artists -- Solo Shows," New York City Tribune, Jan. 18, 1990,
pp. 16, 14.
"Robert Moscowitz -- Treading Water in a Pop/Minimalist Sea," New York City
Tribune, Feb. 26, 1990, p. 16.
"Francis Bacon: Disturbing Species of Realism," New York City Tribune, June
19, 1990, p. 16.
"The Art of Francis Bacon," The World & I, Aug. 1990, pp. 208-13.
"The Timeless Realism
of Antonio López García," The World & I, Dec. 1991, pp. 234-39.
"Martin Hardy's Orientalia," New York City Tribune, Oct. 15, 1990, p. 14.
"Richard Thomas Davis' Magnificent Realist Paintings," New York City Tribune,
Oct. 23, 1990, pp. 16, 14.
"Richard Thomas Davis: American Durer [sic.]," American Arts Quarterly,
Winter 1991, pp. 10-13.
"Patrick Tosani: Photographer" (The Art Institute of Chicago), New Art
Examiner, Oct. 1992, p. 32.
"Kawamata's Wooden Jumbles Challenge Problems in the Urban Jungle," Atelier,
Jan. 1993, pp. 92-96.
"Eric Fischl at Mary Boone," Atelier, April 1993, pp. 72-74, 82-83.
"Outsize Oldenburg (Washington DC)," The Art Newspaper, Feb. 1995, p. 16.
"Les hamburgers d'Oldenburg (National Gallery-Washington)," Le Journal des
arts, Mar. 1995, p. 14.
"Gonzalez-Torres et Bleckner uptown, Tàpies downtown (Guggenheim Museum-New
York)," Le Journal des arts, Mar. 1995, p. 14.
"Celant cura i clonati di Oldenburg" (Washington), Il Giornale dell'Arte,
Feb. 1995, p. 9.
"Who will stand up for Kitaj?" The Art Newspaper, Apr. 1995, p. 9.
"Twentieth-century Dürer or calendar-art hack?" (Wyeth at Nelson-Atkins
Museum), The Art Newspaper, Oct. 1995, pp. 13-14.
Il Dürer americano che piace ai giapponesi (Andrew Wyeth a Kansas City)," Il
Giornale dell'arte, Oct. 1995, p. 19.
"Il sensuale ermetismo di Hodgkin" (Metropolitan), Il Giornale dell'arte,
Dec. 1995, p. 16.
"Jasper Johns: more than the
slayer of Abstract Expressionist giants" (Interview: Kirk Varnedoe of MoMA), The Art
Newspaper, Oct. 1996, p. 16-17.
"Tutte le strade portano a Johns" (MoMA retrospective), Il Giornale
dell'arte, Oct. 1996, p. 14.
"A half century of Ellsworth Kelly at the Guggenheim," The Art Newspaper,
Nov. 1996, p. 15.
"Chaim Soutine's Colorful Expression" (Charles Ray & Wyeth at Whitney),
The Washington Post, July 19, 1998, p. G7-8.
"Ellsworth Kelly's early years" (drawing show at Harvard), The Art Newspaper,
May 1999, p. 16.
"Fountain (self-laundering dollar)" (Leonid Lamm sculpture), The Art
Newspaper, Oct. 1999, p. 1.
"The Gallery: Chaos and Crowds" (Susan Rothenberg at MFA Boston), The Wall
Street Journal, Jan. 5, 2000, p. A20.
"Art: A Poet of the Mundane" (Cornelia Parker at ICA Boston), The Wall Street
Journal, March 21, 2000, p. A24.
"There's More to English Art than Dead Sharks in Formaldehyde" (Cornelia Parker
at ICA Boston), Everything Art Magazine No. 14 (April 2000), ArtStar.com.
"Following
Inspiration Across Hill and Dale" (Andy Goldsworthy at Storm King), The Wall Street
Journal, July 18, 2000, p. A20.
“The Mystery of Muñoz” (Juan Muñoz at Hirshhorn), Smithsonian Magazine,
Dec. 2001, p.36.
[return to Contents]
1.g Exhibitions:
Contemporary (1970 to present) (group shows)
"Four American Artists Show Their Earthiness in Dual Locale Whitney
Exhibition," New York City Tribune, Jan. 14, 1988, pp. 14, 10.
"The New Museum Attempts to Stretch Its Conceptual Wings," New York City
Tribune, Mar. 15, 1988, pp. 14, 10.
"For the Artists of the 1980s, Pop & Minimal Still a Guiding Spirit," New
York City Tribune, Mar. 25, 1988, pp. 14, 10.
"Whitney Christens Its New Location With 'Made in the Sixties'," New York
City Tribune, June 21, 1988, pp. 14, 10.
"Exhibition of 'Deconstructivist Architecture'," New York City Tribune, June
27, 1988, pp. 14, 10.
"Bad Art and Boston's 'Binational' Go Hand-in-Hand," New York City Tribune,
Oct. 18, 1988, p. 12.
"New York Academy of Art Calls on Soviets to Make a Point," New York City
Tribune, Oct. 27, 1988, pp. 16, 14.
"Modern Art In the 'Latin American Spirit'," New York City Tribune, Dec. 13,
1988, pp. 16, 14.
"Refigured Painting," New York City Tribune, Mar. 16, 1989, pp. 16, 14.
"A Flop at Neuberger -- Literally and Figuratively," New York City Tribune,
Apr. 26, 1989, p. 16.
"'Hispanic Art in the United States' at Brooklyn Museum," New York City
Tribune, July 24, 1989, p. 16.
"Master Printer Aldo Crommelynck at the Whitney," New York City Tribune,
Sept. 27, 1989, p. 16.
"Brazil's Twentieth Sao Paulo Bienal," New York City Tribune, Nov. 9, 1989,
p. 16.
"XXth Sao Paulo Bienal: Parque de Ibirapuero [sic.], Sao Paulo, Brazil, October
14-December 10," Artpapers, Jan./Feb. 1990, pp. 69-70.
"New British Painting At the Queens Museum," New York City Tribune, Feb. 15,
1990, pp. 16, 14.
"Do You Remember Realism?," New York City Tribune, Feb. 19, 1990, pp. 16, 14.
"South America's
Answer to SoHo," (XXth Sao Paulo Bienal), The World & I, Mar. 1990, pp. 200-05.
"A Resurgence of Realism -- The Landscape," New York City Tribune, May 16,
1990, p. 16.
"Three Individual Perspectives of Interiors, Still Lifes and Figures,"
New York City Tribune, May 18, 1990, pp. 16, 14.
"Exhibition Review: XXth Sao Paulo International Biennial," Review: Latin
American Literature and Arts, Jan.-June 1990, pp. 62-63.
"Money Creates 'Taste': An
Unfortunate Truism" (Venice Biennale), New York City Tribune, Aug. 17, 1990, pp. 16,
14.
"Art Today: Changing Concepts" (Venice Biennale), The World & I, Oct.
1990, pp. 228-33.
"High Art's Affair with Popular Culture" (High & Low at MoMA), The World
& I, Jan. 1991, pp. 204-09.
"Troubled relations: blacks and Jews seek solutions" ("Bridges and
Boundaries" at Jewish Museum), The Art Newspaper, June 1992, p. 13.
"The body in question at America's other biennial (The 43rd Corcoran Biennial:
Figuration leads as 'conveyor of social, political, psychological and philosophical
content')," The Art Newspaper, Nov. 1993, p. 10.
"The saga of American blacks according to Jacob Lawrence (San
Francisco/Washington, D.C.: America's racist past the subject of touring show)," The
Art Newspaper, Dec. 1993, p. 14.
"A kinder, gentler Whitney Biennial," The Art Newspaper, Mar. 1995, p. 3.
"Une Biennale assagie (Whitney Museum)," Le Journal des arts, Mar. 1995, p.
14.
"Contrordine al Whitney: correct sì, politically no" (Biennial), Il Giornale
dell'Arte, Mar. 1995, p. 23.
"Adding the Y chromosome to MOMA" (Elizabeth Murray's "Artist's
Choice" exhibition), The Art Newspaper, June 1995, p. 8.
"'Furniture' and architecture invade the art (The Carnegie International),"
The Art Newspaper, Nov. 1995, p. 12.
"Asia's own
biennial (Kwangju, Korea)," The Art Newspaper, Dec. 1995, p. 9.
"Too Jewish?" (Jewish Museum), The Art Newspaper, Mar. 1996, p. 7.
"Art down on the farm" (Meyerhoff Collection at the National Gallery of Art),
The Art Newspaper, Apr. 1996, p. 10.
"Comment devenir 'trop juif' en une leçon" (Jewish Museum show), Le journal
des arts, Apr. 1996, p. 18.
"Non più laica l'arte ebraica (Jewish Museum)," Il Giornale dell'arte, May
1996, p. 24.
"Meyerhoff et compagnie," Le Journal des Arts, July-Aug. 1996, p. 9.
"La Pan-american Biennial è open, intimista ed elettronica" (Whitney), Il
Giornale dell'arte, Mar. 1997, p. 18.
"Made by hand, telling stories and talking to the public" (Whitney Biennial),
The Art Newspaper, March 1997, p. 12.
"Biennale du Whitney: plus d'étrangers," Le Journal des Arts, Apr. 4, 1997,
p. 8.
"Sculpture's Abstractions" (Serra, Noguchi, David Smith), The Washington
Post, May 26, 1998, p. C9.
"Tate and MoMA Rehang
Themselves," The Wall Street Journal, May 12, 2000, p.W15C.
"The Tate Modern: Contents and Discontents," Insight Magazine (eartgroup.com),
May 23, 2000.
"Landscape surveyors" (Boston ICA's "Art on the Emerald Necklace"),
The Art Newspaper, July-Aug. 2000, p. 23.
"Open Letter: Out With The Old" (revisionist installations at Tate & MoMA),
Everything Art Magazine No. 19 (June-July 2000), ArtStar.com.
"Grasping
the Global" (5th Lyon Biennale of Contemporary Art), Artnet Magazine (Artnet.com),
Aug. 3, 2000.
“Projected images from the dawn of plug-in art” (Whitney), The Art Newspaper,
Dec. 2001, p. 26.
“Nature and Culture in the Service of Beauty,” in Transfigurations: New Works
by Patricia Olynyk (exhibition catalogue in English and Japanese), Galleria Grafica Tokio,
July 1-13, 2002, pp. 2-3.
[return to Contents]
1.h Exhibitions:
American (single-artist shows)
"Sonia Gechtoff Retrospective: Intriguing Geometric Landscapes," and
"Georgia's 'New South Group' at Exhibition Space," New York City Tribune, Sept.
30, 1987, pp. 14, 10.
"Vito Acconci: Conceptual Artist in Search of ????," New York City Tribune,
Oct. 8, 1987, pp. 14, 10.
"Frank Stella: Delivering
Abstract Art to You in 3-D," New York City Tribune, Nov. 16, 1987, pp. 14, 10.
"Willem DeKooning: An Agitated Artist," New York City Tribune, Nov. 23, 1987,
pp. 14, 10.
"Cubist Davis' Whitney Exhibit Boxes His Style In," New York City Tribune,
Dec. 10, 1987, pp. 14, 10.
"Rich Color and Texture Identify Frankenthaler's Paintings," New York City
Tribune, Dec. 15, 1987, p. 14.
"Multi-Talented Edwin Schlossberg Exhibits His Work," New York City Tribune,
Dec. 16, 1987, p. 14.
"Stuart Davis: The Breakthrough Years," New York City Tribune, Dec. 21, 1987,
pp. 14, 10.
"Nancy Graves: A Hot Sculptress Whose Work is Lukewarm," New York City
Tribune, Jan. 19, 1988, pp. 14, 10.
"Richard Artschwager Seeks the Art 'of Cabinetry'" New York City Tribune,
Feb. 26, 1988, pp. 14, 10.
"Acconci Shows He's Capable of Designing Public Artworks," New York City
Tribune, Feb. 29, 1988, pp. 14, 10.
"Looking to the Paintings of the Past, Jim Dine Creates Anew," New York City
Tribune, Mar. 2, 1988, p. 14.
"Motion and Drama Spring from Rothenberg's Paintings," New York City Tribune,
Mar. 2, 1988, p. 10.
"The New Museum Attempts to Stretch Its Conceptual Wings" (May Stevens), New
York City Tribune, Mar. 15, 1988, pp. 14, 10.
"Four Exhibits, Each Unique in Scale and Purpose," New York City Tribune,
Apr. 22, 1988, pp. 14, 10.
"Josef Albers Retrospective at the Guggenheim," New York City Tribune, Apr.
25, 1988, pp. 14, 10.
"'Con Artist' Mark Kostabi: On the Make and Making It," New York City
Tribune, Apr. 26, 1988, pp. 14, 10.
"Silly & Serious: A View of Two Contemporary Artists" (Elizabeth Murray
& Donald Sultan), New York City Tribune, May 23, 1988, pp. 14, 10.
"Robert Cumming & Vernon Fisher: Ambiguity and Its Discontent," New York
City Tribune, Sept. 5, 1988, pp. 14, 10.
"Fitz Hugh Lane Paintings: Landmarks of 'Luminism'," New York City Tribune,
Oct. 5, 1988, pp. 16, 14.
"Fitz Hugh Lane: Transcendental Luminist," The World & I, Nov. 1988, pp.
264-71.
"Judite Dos Santos," CEPA Journal (Center for Experimental Perceptual Arts,
Buffalo, NY; Vol. 4, Issue 1), 1989, pp. 36-37.
"Multimillion Dollar Modern Art Maps" (Jasper Johns), New York City Tribune,
Mar. 8, 1989, p. 16.
"George Segal: He's Still a Whole Lot Better Than Warhol," New York City
Tribune, Apr. 6, 1989, pp. 16, 14.
"Frank Stella: Contemporary Arts Museum, Houston, Texas, February 11-April
23," Artpapers, May/June 1989, p. 63.
"Wilmarth's Landscapes of Glass and Steel," New York City Tribune, June 16,
1989, p. 16.
"Central Park: Remembering an Ideal" (Calvert Vaux), New York City Tribune,
June 28, 1989, p. 16.
"'Helga':
Cavalcade of Wyeth's Technical Skill," New York City Tribune, July 4, 1989, p. 16.
"Portraiture: Noguchi's Early Forte," New York City Tribune, Nov. 14, 1989,
pp. 16, 14.
"Hopper and the 'Chaos of Ugliness'," The World & I, Jan. 1990, pp.
286-93.
"Quest for Beauty: Louis Comfort Tiffany," American Arts Quarterly, Winter
1990, pp. 21-27.
"-- Three Young Artists -- Solo Shows," New York City Tribune, Jan. 18, 1990,
pp. 16, 14.
"Thomas Hart Benton: An American Original," New York City Tribune, Jan. 23,
1990, pp. 16, 14.
"Sublime Psalms of Light" (F.E. Church), The World & I, Feb. 1990, pp.
198-203.
"Robert Moscowitz -- Treading Water in a Pop/Minimalist Sea," New York City
Tribune, Feb. 26, 1990, p. 16.
"John Marin: From Whistler to Pollock," New York City Tribune, Mar. 13, 1990,
p. 16.
"The Metropolitan Museum of Art Exhibits Louis Comfort Tiffany Masterworks,"
New York City Tribune, Apr. 17, 1990, p. 16.
"Money Creates 'Taste': An
Unfortunate Truism" (Jenny Holzer), New York City Tribune, Aug. 17, 1990, pp. 16, 14.
"Art Today: Changing Concepts" (Jenny Holzer), The World & I, Oct. 1990,
pp. 228-33.
"Martin Hardy's Orientalia," New York City Tribune, Oct. 15, 1990, p. 14.
"Richard Thomas Davis' Magnificent Realist Paintings," New York City Tribune,
Oct. 23, 1990, pp. 16, 14.
"Richard Thomas Davis: American Durer [sic.]," American Arts Quarterly,
Winter 1991, pp. 10-13.
"Milton Avery, Sans Colors," New York City Tribune, Oct. 16, 1990, p. 16.
"What Remains of the Real Ryder," The Journal of Art, Dec. 1990, p. 18.
"Ryder," New York City Tribune, Dec. , 1990, pp. 16, 14.
"Albert Bierstadt: Art & Enterprise," American Arts Quarterly, Winter
1992, pp. 20-27.
"Stuart
Davis, American Modernist" The World & I, April 1992, pp. 196-201.
"Eric Fischl at Mary Boone," Atelier, April 1993, pp. 72-74, 82-83.
"Realism Rising: A Look at
Four Americans who Defy Modernism" (Wyeth, Maury, Gillespie, Desiderio), Atelier, May
1993, pp. 46-55, 78-80.
"The saga of American blacks according to Jacob Lawrence (San
Francisco/Washington, D.C.: America's racist past the subject of touring show)," The
Art Newspaper, Dec. 1993, p. 14.
"Eakins in London," The New York Review of Art, Feb. 1994, pp. 5-6.
"The other Stella (no relation) at the Whitney (New York: A retrospective, long in
the making, may spur interest in Joseph Stella, a neglected American modernist)," The
Art Newspaper, May 1994, p. 8.
"Joseph Stella au Whitney Museum (New York: Une rétrospective longtemps
attendue," Le Journal des Arts, June 1994, p. 14.
"Outsize Oldenburg (Washington DC)," The Art Newspaper, Feb. 1995, p. 16.
"Les hamburgers d'Oldenburg (National Gallery-Washington)," Le Journal des
arts, Mar. 1995, p. 14.
"Gonzalez-Torres et Bleckner uptown, Tàpies downtown (Guggenheim Museum-New
York)," Le Journal des arts, Mar. 1995, p. 14.
"Celant cura i clonati di Oldenburg" (Washington), Il Giornale dell'Arte,
Feb. 1995, p. 9.
"The Whitney does Hopper again, but differently," The Art Newspaper, June
1995, p. 11.
"Hopper, Scarface e Psycho (Al Whitney Museum)," Il Giornale dell'Arte,
July-Aug. 1995, p. 14.
"Twentieth-century Dürer or calendar-art hack?" (Wyeth at Nelson-Atkins
Museum), The Art Newspaper, Oct. 1995, pp. 13-14.
Il Dürer americano che piace ai giapponesi (Andrew Wyeth a Kansas City)," Il
Giornale dell'arte, Oct. 1995, p. 19.
"Copley's two lives in two exhibitions," The Art Newspaper, Feb. 1996, p. 8.
"Biting sharks" ("Winslow Homer" at the Metropolitan), The Art
Newspaper, July-Aug. 1996, p. 10.
"Jasper Johns: more than the
slayer of Abstract Expressionist giants" (Interview: Kirk Varnedoe of MoMA), The Art
Newspaper, Oct. 1996, p. 16-17.
"Neue Sachlichkeit in Amerika?" (Grant Wood in Worcester), The Art Newspaper,
Oct. 1996, p. 20.
"Sculpture's Abstractions" (Serra, Noguchi, David Smith), The Washington
Post, May 26, 1998, p. C9.
"Chaim Soutine's Colorful Expression" (Charles Ray & Wyeth at Whitney),
The Washington Post, July 19, 1998, p. G7-8.
"Fountain (self-laundering dollar)" (Leonid Lamm sculpture), The Art
Newspaper, Oct. 1999, p. 1.
"Ellsworth Kelly's early years" (drawing show at Harvard), The Art Newspaper,
May 1999, p. 16.
"The Gallery: Chaos and Crowds" (Susan Rothenberg at MFA Boston), The Wall
Street Journal, Jan. 5, 2000, p. A20.
"Edward Weston: Modern Master" (MFA Boston), Everything Art Magazine No. 16
(April-May 2000), ArtStar.com.
"Following
Inspiration Across Hill and Dale" (Andy Goldsworthy at Storm King), The Wall Street
Journal, July 18, 2000, p. A20.
“Rockwell rides a wave
of patriotism,” The Baltimore Sun, Jan. 27, 2002, p. 8E.
“Following
Weston’s twists and turns” (Phillips Collection), The Baltimore Sun, July 7,
2002, p. 1E.
“Nature and Culture in the Service of Beauty,” in Transfigurations: New Works
by Patricia Olynyk (exhibition catalogue in English and Japanese), Galleria Grafica Tokio,
July 1-13, 2002, pp. 2-3.
[return to Contents]
1.i Exhibitions: American (group
shows)
"Whitney Museum Displays Artists' Disdain For 'The Social Graces,'" New York
City Tribune, Sept. 17, 1987, pp. 14, 10.
"American Paradise: Painters of the Hudson River School," American Arts
Quarterly, Winter 1988, pp. 6-14.
"Four American Artists Show Their Earthiness in Dual Locale Whitney
Exhibition," New York City Tribune, Jan. 14, 1988, pp. 14, 10.
"'The American Watercolor Movement': 19th-Century Splendor," New York City
Tribune, Jan. 28, 1988, pp. 14, 10.
"For the Artists of the 1980s, Pop & Minimal Still a Guiding Spirit," New
York City Tribune, Mar. 25, 1988, pp. 14, 10.
"American Watercolors are Celebrated," American Arts Quarterly, Spring 1988,
pp. 27-28.
"Whitney Christens Its New Location With 'Made in the Sixties'," New York
City Tribune, June 21, 1988, pp. 14, 10.
"Grand Illusions: American History Painting," American Arts Quarterly, Spring
1989, pp. 25-27.
"'Hispanic Art in the United States' at Brooklyn Museum," New York City
Tribune, July 24, 1989, p. 16.
"Superb Private Collections at The Metropolitan" (Manoogian and Gelman), New
York City Tribune, Jan. 29, 1990, pp. 16, 14.
"Do You Remember Realism?," New York City Tribune, Feb. 19, 1990, pp. 16, 14.
"A Resurgence of Realism -- The Landscape," New York City Tribune, May 16,
1990, p. 16.
"Three Individual Perspectives of Interiors, Still Lifes and Figures," New
York City Tribune, May 18, 1990, pp. 16, 14.
"The Manoogian Collection," American Arts Quarterly, Spring/Summer 1990, pp.
31-32.
"Engineers Chip in to The Art World," New York City Tribune, Sept. 10, 1990,
pp. 16, 14.
"NYPL Exhibit Honors Benefactors," New York City Tribune, Oct. 15, 1990, p.
16.
"American Rococo," The World & I, May 1992, pp. 184-89.
"Pre-eminent Dealer Harold Sack: On Appraising American Furniture," The
Appraiser, Spring 1993, pp. 4-6.
"The body in question at America's other biennial (The 43rd Corcoran Biennial:
Figuration leads as 'conveyor of social, political, psychological and philosophical
content')," The Art Newspaper, Nov. 1993, p. 10.
"The social life of American Impressionism 1885-1915 (New York: American painting
through the revisionist lens of social context)," The Art Newspaper, May 1994, p. 9.
"Impressionnisme et réalisme (New York: Une exposition présente la peinture
américaine au tournant du siècle)," Le journal des arts, June 1994, p. 9.
"A kinder, gentler Whitney Biennial," The Art Newspaper, Mar. 1995, p. 3.
"Contrordine al Whitney: correct sì, politically no" (Biennial), Il Giornale
dell'Arte, Mar. 1995, p. 23.
"Too Jewish?" (Jewish Museum), The Art Newspaper, Mar. 1996, p. 7.
"Non più laica l'arte ebraica (Jewish Museum)," Il Giornale dell'arte, May
1996, p. 24.
"Made by hand, telling stories and talking to the public" (Whitney Biennial),
The Art Newspaper, March 1997, p. 12.
"La Pan-american Biennial è open, intimista ed elettronica" (Whitney), Il
Giornale dell'arte, Mar. 1997, p. 18.
"Biennale du Whitney: plus d'étrangers," Le Journal des Arts, Apr. 4, 1997,
p. 8.
"The American canon presented (half, so far)" (Whitney permanent- coll.
galleries), The Art Newspaper, April 1998, p. 26.
"La metamorfosis (Un importante cambio en el Museum Whitney de Nueva York)"
(co-author J.A.Alvarez Reyes), El Periodico del Arte, May 1998, p. 7.
"Sculpture's Abstractions" (Serra, Noguchi, David Smith), The Washington
Post, May 26, 1998, p. C9.
"Landscape surveyors" (Boston ICA's "Art on the Emerald Necklace"),
The Art Newspaper, July-Aug. 2000, p. 23.
“Projected images from the dawn of plug-in art” (Whitney), The Art Newspaper,
Dec. 2001, p. 26.
[return to Contents]
1.j Exhibitions: Photography
"Stopping Time: The Photos of Harold Edgerton," New York City Tribune, Oct.
14, 1987, pp. 14, 10.
"Thirty Years of Press Photography: A Reign of Terror," New York City
Tribune, Nov. 13, 1987, pp. 14, 10.
"David Graham: A Photographer's Surreal Look at Very Real Situations," New
York City Tribune, Dec. 17, 1987, pp. 14, 10.
"Garry Winogrand Photographs Are Overrated," New York City Tribune, July 26,
1988, pp. 14, 10.
"Whitney Photo Exhibition is Nothing Short of Pornographic," New York City
Tribune, Aug. 3, 1988, pp. 14, 10.
"Pornography at the Whitney," American Arts Quarterly, Fall 1988, p. 31.
"Photographer Gianfranco Gorgoni Offers 'Altered Images' Of the Artist," New
York City Tribune, Nov. 28, 1988, pp. 16, 14.
"Three American Photograph Albums," New York City Tribune, Apr. 3, 1989, p.
16.
"Recent Literature Marks Photography's Sesquicentennial," New York City
Tribune, June 8, 1989, p. 16.
"A Nebulous Survey Of 150 Years Of Photography," New York City Tribune, June
19, 1989, pp. 16.
"Celebrating
150 Years of Photography," The World & I, Aug. 1989, pp. 202-07.
"Ford Motor Company Collection at the Met," New York City Tribune, Oct. 11,
1989, p. 16.
"NYPL Pays Tribute to Berenice Abbott," New York City Tribune, Oct. 26, 1989,
p. 16.
"Alfred Eisenstaedt Retrospective: Photojournalism for Sale," New York City
Tribune, Nov. 30, 1989, p. 16.
"A Definitive History Of Photography," New York City Tribune, Mar. 23, 1990,
p. 16.
"The Way Magnum Sees the World," The World & I, Apr. 1990, pp. 186-91.
"Edward Weston's Portraits and Nudes," New York City Tribune, Aug. 3, 1990,
pp. 16, 14.
"Art Institute salutes French photographer Patrick Tosani," The Art
Newspaper, July-Sept. 1992, p. 8.
"Patrick Tosani: Photographer" (The Art Institute of Chicago), New Art
Examiner, Oct. 1992, p. 32.
"Portraits of the artist" [Samaras], The Art Newspaper, Feb. 1993, p. 9.
"Première rétrospective Baldus (Metropolitan Museum of Art)," Le Journal
des arts, Nov. 1994, p. 20.
"Top fine art photography fair" (AIPAD NY), The Art Newspaper, March 1997, p.
39.
"Edward Weston: Modern Master" (MFA Boston), Everything Art Magazine No. 16
(April-May 2000), ArtStar.com.
“Following
Weston’s twists and turns” (Phillips Collection), The Baltimore Sun, July 7,
2002, p. 1E.
[return to Contents]
1.k Exhibitions: Architecture
"The Guggenheim Museum: Renovate or Keep It As Is?" New York City Tribune,
Oct. 26, 1987, pp. 14, 10.
"Exhibition of 'Deconstructivist Architecture'," New York City Tribune, June
27, 1988, pp. 14, 10.
"Architect of Elizabethan England: Inigo Jones," New York City Tribune, May
12, 1989, pp. 16, 14.
"Central Park: Remembering an Ideal" (Calvert Vaux), New York City Tribune,
June 28, 1989, p. 16.
"The Newark Museum Has Arrived," New York City Tribune, Nov. 21, 1989, pp.
16, 14.
"The Brooklyn Museum Expansion Underway," New York City Tribune, May 8, 1990,
pp. 16, 14.
"The Wealth of Aphrodisias" (with Ozgen Acar and Perry Bialor), The Journal
of Art, Feb. 1991, p. 70.
"Acid Rain Threatens Romanesque Monument," The Journal of Art, Feb. 1991, p.
76.
"Renaissance Redux: Inside the Sainsbury Wing (Interview: Nicholas Penny),"
The Journal of Art, Sept. 1991, p. 18.
"Pierpont Morgan Library Doubles its Space," The Journal of Art, Oct. 1991,
p. 20.
"'Apostle of hope for American cities'" (Washington, D.C.), The Art
Newspaper, Mar. 1992, p. 2.
"Archivist champions exact restoration of St Michael's cathedral" (Brussels)
The Art Newspaper, Mar. 1992, p. 13.
"The more the Morgan grows the more it stays the same," The Art Newspaper,
Apr. 1992, p. 6.
"Musée d'art contemporain, comes out of exile led by a Jesuit philosopher"
(Montreal: After twenty-four years, it leaves the remote site of Expo '67), The Art
Newspaper, July-Sept. 1992, p. 4.
"Back to the drawing board for Museum of Contemporary Art" (Chicago:
Community rejects plan to raise garden above street level), The Art Newspaper, July-Sept.
1992, p. 5.
"Non piace il muro del Museum of Contemporary Art (Chicago: I residenti contestano
un progetto troppo ingombrante)," Il Giornale dell'Arte, July-Aug. 1992, p. 21.
"Musée d'Art Contemporain Montréal," Atelier, Nov. 1992, pp. 77-90.
"You too can own your local museum (The Cincinatti Art Museum: Private sponsorship
in the American tradition restores the "Art Palace of the West")," The Art
Newspaper, Feb. 1993, p. 7.
"Brooklyn's Master Plan on hold: budget cuts halt West wing project (New
York)," The Art Newspaper, Feb. 1993, p. 9.
"Lest we forget (Washington, D.C.: $150 million Holocaust Museum opens)," The
Art Newspaper, April 1993, p. 13.
"With $26 million voted by Congress, a larger, newer, smarter Freer Gallery,"
The Art Newspaper, May 1993, p. 12.
"La Freer Gallery fa la ruota," Il Giornale dell'Arte, May 1993, p. 20.
"Faux château nouveau per il Jewish di New York," Il Giornale dell'Arte,
June 1993, p. 20.
"Jewish Museum reopens in a new French château on New York's museum mile,"
The Art Newspaper, June 1993, p. 9.
"African, classic Modern and Contemporary in trio (SoHo, New York: Museum of
African Art the third tenant in gallery district's new 'museum mile')," The Art
Newspaper, July- Sept. 1993, p. 10.
"Egyptian galleries for Egyptian exhibits (Post-modernism: Michael Graves's
enlargement of the Carlos Museum suits the style to the art)," The Art Newspaper,
Jan. 1994, p. 11.
"A major private museum of Impressionism and Greek art for Athens (The Goulandris
Foundation: Architect of Louvre pyramid, I.M. Pei, is its designer)" (Interview with
I.M. Pei), The Art Newspaper, Feb. 1994, pp. 9-10.
"The Great Buildings Collection (Les 600 édifices les plus célèbres du
patrimoine mondial sur disque interactif)," Le Journal des Arts, May 1994, p. 23.
"A glittering new
museum for China (Shanghai)," The Art Newspaper, Oct. 1996, p. 8.
"Bilbao's
Guggenheim: New Colossus," The Washington Post, Oct. 26, 1997, p. G2.
"A Temple
for Antiquities" (Miho Museum, Kyoto), The Washington Post, Nov. 30, 1997, p. G5.
"Heavenly showcase for cult's collection (The Miho Museum, Japan)," The Art
Newspaper, Dec. 1997, pp. 8-9.
"A 75,000 square-foot expansion planned for the Chicago Art Institute"
(interview: director James Wood re: Renzo Piano), The Art Newspaper, Sept. 1999, p. 20.
"Otros 7.000 metros cuadrados para el Chicago Art Institute" (Interview:
James Wood, director re: Renzo Piano), El Periodico del Arte, Oct. 1999, p. 7.
“Dynamic Duo” (Neue Galerie and American Folk Art Museum), Los Angeles Times,
Jan. 9, 2002, “Calendar” pp. F1, 8-9.
[return to Contents]
1.l Exhibitions: Non-Western
"African Art and American Aesthetics: Does Context Count?" New York City
Tribune, Apr. 8, 1988, pp. 14, 10.
"Asian Objects Through Experts' Eyes: Which is the Original?," New York City
Tribune, June 22, 1988, pp. 14, 10.
"'Crossroads of Continents: Cultures of Siberia and Alaska'," New York City
Tribune, Jan. 8, 1990, pp. 16, 14.
"Three Ways to Display
African Art," New York City Tribune, Oct. 5, 1990, p. 16.
"National Gallery brings American Indians into the tribe of the new art
history" (Washington, D.C.: Woodlands and Plains Indian material, organized by George
P. Horse Capture of the Cros Ventre tribe, on display until 24 January 1993), The Art
Newspaper, June 1992, p. 12.
"Nelson-Atkins shows Ming paintings and calligraphy," The Art Newspaper, June
1992, p. 13.
"The Art of Islamic Spain," The World & I, Sept. 1992, pp. 266-71.
"Egypt's dazzling sun: Amenhotep III and his world (Fort Worth: Cleveland's
seventy-fifth anniversary exhibition includes important new discoveries)," The Art
Newspaper, Oct. 1992, p. 13.
"Ottoman splendors in Texas" (Topkapi exhibition at MFA, Houston), The Art
Newspaper, June 1995, p. 13.
"Out of Africa to US via Belgium" (Tervuren loan show), The Art Newspaper,
July-Aug. 1997, p. 13.
"A 10th-Century Masterpiece or
Modern Fraud?" (The Metropolitan's "Riverbank"), The Wall Street Journal,
Dec. 13, 1999, p. A32.
[return to Contents]
2. REVIEWS OF BOOKS
"New Books Explore the Life and Art of Edgar Degas," New York City
Tribune, Oct. 17, 1988 pp. 16, 14.
"A Review of the Finest Art Books," New York City Tribune, Dec. 28, 1988, pp.
16, 14.
"Three American Photograph Albums," New York City Tribune, Apr. 3, 1989, p.
16.
"Recent Literature Marks Photography's Sesquicentennial," New York City
Tribune, June 8, 1989, p. 16.
"Artbooks: Antiquity to the Renaissance," New York City Tribune, Feb. 2,
1990, p. 16.
"Recent Literature on 19th and 20th Century Art," New York City Tribune, Mar.
5, 1990, p. 16.
"`Life of Forms in
Art': Conventional Wisdom of Creativity" (Book review: Henri Focillon), New York City
Tribune, Mar. 6, 1990, p. 15.
"Art Critique Is Still A Hazy Shade of Writing" (Book review), New York City
Tribune, Apr. 30, 1990, p. 15.
"100 Years of Art: Pollock to Alma-Tadema" (Book reviews), New York City
Tribune, June 26, 1990, pp. 16, 14.
"From MOMA, One Expects More" (Book review: Kirk Varnedoe, A Fine Disregard:
What Makes Modern Art Modern?), New York City Tribune, Aug. 10, 1990, pp. 16, 14.
"On Books: A Fine Disregard: What Makes Modern Art Modern?" (Kirk Varnedoe),
New Art Examiner, Jan. 1991, p. 53.
"Fine Disregard for Modernism" (Book review: Kirk Varnedoe), American Arts
Quarterly, Winter 1991, pp. 29-31.
"Serious Artbooks," American Arts Quarterly, Spring 1991, pp. 30-31.
"Pawnshops and Palaces: The Fall and Rise of the Campana Art Museum" (Book
review: Helen and Albert Borowitz), The Journal of Art, Oct. 1991, p. 71.
"Netherlandish drawings in the Pierpont Morgan Library" (Book review: Felice
Stampfle), The Art Newspaper, June 1992, p. 16.
"The Met's Erstwhile Dictator of Taste" (Book review: Thomas Hoving, Making
the Mummies Dance: Inside The Metropolitan Museum of Art), The World & I, May 1993,
pp. 321-327.
"Michelangelo Revisited" (Book review: Pietro C. Marani, et. al., The Genius
of the Sculptor in Michelangelo's Work), Sculpture, July-Aug. 1993, pp. 52-53.
"Fragonard
et le dessin français au XVIIIè siècle dans les collections du Petit Palais by
José-Luis de Los Llanos," (Book review), Drawing, Sept.-Oct. 1993, 63-64.
"Six hundred of the best buildings on video disk (CD-Rom)" (Kevin Matthews,
The Great Buildings on CD-ROM), The Art Newspaper, Apr. 1994, p. 29.
"I am/je suis/io sono/ich bin a courier" (Book review: Cordelia Rose,
Courierspeak: A phrase book for couriers of museum objects), The Art Newspaper, Apr. 1994,
p. 30.
"Photographs in focus (The Getty Museum, Malibu: First overview of second greatest
photo archive in North America)," The Art Newspaper, Feb. 1995, p. 26.
"How to make money in contemporary art -- perhaps" (Polsky's Art Market Guide
review), The Art Newspaper, June 1996, p. 29.
"Magisterial
work of a lifetime finished" (Rewald's Cézanne catalogue), The Art Newspaper, Apr.
1997, p. 33.
"Magistrale Cézanne" (Rewald's catalogue raisonné), Il Giornale dell'Arte,
Apr. 1997, p. 77.
"Un monument à Cézanne" (catalogue raisonné), Le Journal des Arts, May 16,
1997, p. 23.
"Half a
millennium in Tuscany" (Book review: Sienese Painting), The Art Newspaper, July-Aug.
1999, p. 55.
"Medio milenio en Toscana" (book review: Five Centuries of Sienese Painting),
El Periodico del Arte, Aug.-Sept. 1999, p. 36.
[return to Contents]
3. THEMATIC ESSAYS
"Post-Modernism: Icons Without Meaning," American Arts Quarterly, Fall
1988, pp. 13-17.
"The German Phoenix Rises," The World & I, Feb. 1989, pp. 222-35.
"Realism, Then and Now," New York City Tribune, Apr. 18, 1989, p. 16.
"American Realism," American Arts Quarterly, Spring/Summer 1990, pp. 20-24.
"Money Creates 'Taste': An
Unfortunate Truism" (Venice Biennale), New York City Tribune, Aug. 17, 1990, pp. 16,
14.
"Contemporary American Realism: A Growth Market?," New York City Tribune,
Aug. 31, 1990, p. 16.
"Growing Market for American Realism," American Arts Quarterly, Fall 1990,
pp. 8-12.
"Art Today: Changing Concepts," The World & I, Oct. 1990, pp. 228-33.
"Three Ways to Display
African Art," New York City Tribune, Oct. 5, 1990, p. 16.
"Richard Thomas Davis" (exhibition brochure), Gerold Wunderlich &
Company, New York City, Oct. 10-Nov. 10, 1990.
"America's Leonardo," The Journal of Art, "View," Jan. 1991, pp.
14-15.
"William Bailey: Yale's Reclusive Dean of Art," American Arts Quarterly,
Spring 1991, pp. 16-19.
"Deconstructing the Past: The New American Landscape," American Arts
Quarterly, Fall 1991, pp. 28-31.
"Images of the Sculptor at Work," Sculpture Review, 2nd-3rd Quarter, 1992,
pp. 23-26.
Art of Ink, Contemporary Calligraphy: Sun Wuk Kim (exhibition catalogue), Kang Gallery,
New York, NY, Sept. 1992.
"Realism in the Abstract Age," in The Spirit and the Flesh: Contemporary
American Realists (exhibition catalogue), Oglethorpe University Museum, Atlanta, GA, Oct.
15-Dec. 17, 1995
"Getty sticks with antiquities
(The archaeological provenance debate)" The Art Newspaper, July-Aug. 1996, pp. 1, 17.
Jourdan Arpelle (exhibition catalogue, STIL American Fine Art, Mettmann,
Germany & Galerie Orms, Innsbruck, Austria, Spring 1998.
"Frank Stella: Multiple Dimensions in the Nineties," in Frank Stella,
exhibition catalogue, Knoedler & Company, NY, May 7-June 26, 1998.
"Critiquing the critic" (Letter to the Editor re: Hilton Kramer's attack of
Stella essay), The New York Observer, June, 1998.
"An introduction to the arts and social capital in America," in Saguaro
VII: The Arts and Social Capital, Background Readings, June 11-13, 1999, The
Saguaro Seminar: Civic Engagement in America, Harvard University, John F. Kennedy School
of Government, Cambridge, MA, pp. 1-13.
"Tate and MoMA Rehang
Themselves," The Wall Street Journal, May 12, 2000, p.W15C.
"The Tate Modern: Contents and Discontents," Insight Magazine (eartgroup.com),
May 23, 2000.
"Open Letter: Out With The Old" (revisionist installations at Tate & MoMA),
Everything Art Magazine No. 19 (June-July 2000), ArtStar.com.
“Nature and Culture in the Service of Beauty,” in Transfigurations: New Works
by Patricia Olynyk (exhibition catalogue in English and Japanese), Galleria Grafica Tokio,
July 1-13, 2002, pp. 2-3.
[return to Contents]
4. INTERVIEWS
"Manhattan Spotlight on Marlene Barasch," Spotlight Magazine, Aug. 1988,
pp. 72-74.
"Mark Kostabi Shows Art World The American Way," Downtown, Oct. 5, 1988, pp.
1, 14-15.
"A New Policy and a New Vision for the Corcoran" (Interview: David Levy) The
Journal of Art, Jan. 1991, p. 23.
"Art for the Nation" (Interview: J. Carter Brown), The Journal of Art, Mar.
1991, pp. 46-47.
"Interview: Kevin Consey, Museum of Contemporary Art," The Journal of Art,
May 1991, p. 28.
"Interview: James Wood, The Art Institute of Chicago," The Journal of Art,
May 1991, p. 28.
"Renaissance Redux: Inside the Sainsbury Wing (Interview: Nicholas Penny),"
The Journal of Art, Sept. 1991, p. 18.
"Anderson Keeps the Faith at the British Museum" (Interview:Robert Anderson),
The Journal of Art, Oct. 1991, p. 23.
"Works of art in their context spiced with theatre and dignified with
didacticism" (Philadelphia: Anne d'Harnoncourt, Director of the Philadelphia Museum
is reinstalling its European collection and integrating the Johnson Collection Old
Masters), The Art Newspaper, May 1992, p. 11. "'We've cleaned up tax fraud, the
selling of fakes, helped recover thefts, and supported freedom of expression' "(Art
Dealers Association of America's co-founder Gilbert Edelson)," The Art Newspaper,
Nov. 1992, p. 30.
"Prezzi troppo alti, anche per colpa mia" (Interview: Bernard Breslauer), Il
Giornale dell'Arte, Feb. 1993, p. 14.
"Prints and Drawings: As the Trade Sees Them" (Interview: David Tunick) The
Appraiser, Winter 1993, pp. 4-5.
"Pre-eminent Dealer Harold Sack: On Appraising American Furniture," The
Appraiser, Spring 1993, pp. 4-6.
"Mary-Anne Martin On Appraising Latin American Paintings," The Appraiser,
Summer 1993, pp. 4-5, 7.
"A major private museum of Impressionism and Greek art for Athens (The Goulandris
Foundation: Architect of Louvre pyramid, I.M. Pei, is its designer)" (Interview: I.M.
Pei), The Art Newspaper, Feb. 1994, pp. 9-10.
"Non saremo mai Versailles o Fontainebleau, ma ci proviamo (La riapertura delle
prime 25 nuove sale al Philadelphia Museum: Un allestimento più coerente dal punto di
vista cronologico, con un buon dosaggio di scenografia e didattica. Viene integrata la
collezione Johnson di arte antica)" (Interview with Anne d'Harnoncourt), Il Giornale
dell'Arte, December 1993, p. 23.
"Dr. Géza von Habsburg on: Appraising Fabergé and Objets of Vertu: Drawing a
Bead on Royal Baubles," The Appraiser, Winter 1993/94, pp. 4-5.
"The contemporary scene has no centre, but centres, plural" (Interview with
Robert Storr, curator of contemporary art, MoMA), The Art Newspaper, Mar. 1994, pp. 20-22.
"Robert Storr: modernista por tradición, moderno por vocación (Interview),
Kalías (Spain), vol. 6, no. 11, 1994, pp. 89-99.
"Clement
Greenberg: As the art world remembers him" (Interviews with John Russell, Hilton
Kramer, William Rubin, Robert Rosenblum, and Linda Nochlin), The Art Newspaper, June 1994,
p. 4.
"'I'm right and you're wrong!' 'No, I'm right and you're wrong! (The Joseph Beuys
drawings scandal: Expert Heiner Bastian explains why the drawings are fakes while the
dealer who owns them defends himself," The Art Newspaper, July-Sept. 1994, pp. 5-6.
"A Japanese Nobel in the arts worth $100,000 each (The 1994 Praemium Imperiale
awards: David Rockefeller Jr, talks about his role as adviser)," The Art Newspaper,
July-Sept. 1994, p. 8.
"Ho i miei buoni motivi per sostenere che quei disegni sono falsi/veri (Il
Giornale dell'Arte mette faccia a faccia in un emozionante confronto l'esperto Heiner
Bastian e il allerista Julius Hummel sullo scandalo dei disegni di Beuys)," Il
Giornale dell'Arte, Sept. 1994, pp. 48-49.
"'I still
believe in the hand of the artist' (Art Newspaper interview: Eugene Thaw, connoisseur,
dealer, collector, and patron of the Morgan Library discusses his life and work),"
The Art Newspaper, Oct. 1994, p. 24-25.
"'Le Praemium Imperiale vise à accoître le rôle du Japon dans la création
mondiale' (Un entretien avec David Rockefeller)," Le Journal des Arts, Oct. 1994, p.
4.
"Burton and Helaine Fendelman on: American Paint Decorated Furniture and Folk
Art," The Appraiser, Oct. 1994, pp. 4-6.
"'Gingrichisation' threatens the US arts agencies (The American cultural community
is on the ropes, trying to forestall what some are calling a 'Congressional fatwa')"
(Interviews), The Art Newspaper, Apr. 1995, pp. 20-22.
"The British Museum, Now and in the Future: An Interview With the Director"
(Dr. Robert Anderson), Tabula (American Friends of The British Museum), Issue 1, Vol. 1
(Fall 1995), pp. 1, 5.
"A new museum seeks to disclose the secret language of design" (Interview:
Mitchell Wolfson, Miami), The Art Newspaper, Nov. 1995, p. 18.
"An Interview with Gene Thaw" in From Mantegna to Picasso: Drawings from
the Thaw Collection at The Pierpont Morgan Library, New York (The Morgan Library, NY:
1996), pp. xiii-xv.
"It's sensual, it's exciting: it's abstract" (Interview: Mark Rosenthal,
curator of "Abstraction in the twentieth century" at the Guggenheim), The Art
Newspaper, Feb. 1996, p. 6.
"£30 million from the Lotters: £21 million still to go. Here is what the BM's
director has in mind" (Robert Anderson on British Museum expansion scheme), The Art
Newspaper, Apr. 1996, pp. 16-17.
"Picasso and
portraiture: a long and fruitful relationship" (Interview MoMA’s William Rubin),
The Art Newspaper, Apr. 1996, pp. 24-25.
"Are you asking me what art is?" (Interview: Chicago MCA chairman Allen M.
Turner), The Art Newspaper, May 1996, p. 40.
"'Picasso et le Portrait': le chant du cygne de William Rubin," Le journal
des arts, May 1996, pp. 16-17.
"La rénovation du British Museum à coeur ouvert" (Interview: Robert
Anderson), Le journal des arts, May 1996, p. 58.
"Doria Pamphilj treasures visit America" (National Gallery; Interview: prince
Jonathan Doria Pamphilj), The Art Newspaper, July-Aug. 1996, p. 12.
"Jasper Johns: more than the
slayer of Abstract Expressionist giants" (Interview: Kirk Varnedoe of MoMA), The Art
Newspaper, Oct. 1996, p. 16-17.
"Tutte le strade portano a Johns" (Interview: Kirk Varnedoe of MoMA), Il
Giornale dell'arte, Oct. 1996, p. 14.
"At home with Lovis Corinth" (Interview: Wilhelmine Corinth), The Art
Newspaper, Feb. 1997, pp. 18-19.
"Gertrude Stein asks: museum or modern? MoMA's director replies" (Interview:
Glenn Lowry), The Art Newspaper, March 1997, p. 8.
"Lovis Corinth, lessico familiare" (Interview: Wilhelmine Corinth), Il
Giornale dell'Arte, Apr. 1997, p. 14.
"Lowry: 'Si può essere museo e restare moderni'" (Interview: MoMA director
Glenn Lowry), Il Giornale dell'Arte, Apr. 1997, p. 25.
"Glenn Lowry: une presentation plus globale des collections" (Interview: MoMA
director Glenn Lowry), Le Journal des Arts, Apr. 4, 1997, p. 25.
"Business sure
screwed up the art world universally (Interview: Robert Rauschenberg), The Art Newspaper,
Sept. 1997, p. 17.
"Quella volta que per 3 dollari comprai un Duchamp" (Interview: Robert
Rauschenberg), Il Giornale dell'Arte, Sept. 1997, pp. 20-21.
"Bill Wixom,
grand acquisitor of medieval art" (Interview), The Art Newspaper, April 1999, pp.
10-11.
"To the greater glory of
antiquity?" (Met's new galleries of Greek art/the provenance debate, interviews with
Phillippe de Montebello, Carlos Picon, Jerry Eisenberg, Marion True), The Art Newspaper,
May 1999, pp. 18-19.
"I wanted to teach, in an
almost subliminal way but I did not want to preach. That is still what I try to do"
(Interview: John Russell), The Art Newspaper, July-Aug. 1999, p. 49.
"Trade wisdom" (Interview: Paul Gottlieb of Harry N. Abrams), The Art
Newspaper, Nov. 1999, p. 52.
[return to Contents]
5. NEWS REPORTS AND ANALYSES
"The Guggenheim Museum: Renovate or Keep It As Is?" New York City
Tribune, Oct. 26, 1987, pp. 14, 10.
"The New York Academy of Art: Tradition Provides a Bridge to the Future,"
American Arts Quarterly, Spring 1988, pp. 9-18.
"Atlanta: The Convention Capital Of The South," New York City Tribune, Apr.
11, 1988, p. 12.
"Venice and China to Benefit From Beijing Art Auction," New York City
Tribune, May 24, 1988, pp. 14, 10.
"Conventions of the Deep South: Atlanta, on the upbeat," The Record, June 12,
1988, Travel Section pp. 1, 4-5, 8-9.
"Atlanta Offers More Than the Art of Politics," New York City Tribune, July
18, 1988, pp. 14, 10.
"Fall Art Preview: Inspiration Amid Hype," New York City Tribune, Sept. 15,
1988, pp. 14, 10.
"Soho: The World's Premier Marketplace for Contemporary Art," The World &
I, Oct. 1988, pp. 268-83.
"Hawaii: Tropics With the Taste of Home," New York City Tribune, July 11,
1989, p. 14.
"Art--Hawaiian Style," New York City Tribune, July 11, 1989, p. 16.
"'Picasso & Braque,' `Velazquez' Crown New York City Museum Season," New
York City Tribune, Sept. 22, 1989, p. 16.
"The Newark Museum Has Arrived," New York City Tribune, Nov. 21, 1989, pp.
16, 14.
"On the Trail of an
Old Master: `The Lute Player'," New York City Tribune, Mar. 19, 1990, p. 16.
"Splendor of `The Feast of the
Gods' Is Restored," New York City Tribune, Mar. 19, 1990, p. 14.
"Holland's Year-Long Vincent Van Gogh Tribute," New York City Tribune, Apr.
9, 1990, p. 16.
"The Brooklyn Museum Expansion Underway," New York City Tribune, May 8, 1990,
pp. 16, 14.
"Art and Money Merge for 5 Frantic Days in Basel," New York City Tribune,
July 23, 1990, pp. 16, 14.
"Expositions: Basel," Art & Auction, Sept. 1990, pp. 121-24. "A Look
Ahead at This Fall's Art Exhibits," New York City Tribune, Sept. 14, 1990, pp. 16,
14.
"The Illustrated Bartsch: A Classic of its Kind," The Journal of Art, Jan.
1991, p. 22.
"National Gallery Conservators Working Overtime," The Journal of Art, Jan.
1991, p. 45.
"The Wealth of Aphrodisias" (with Ozgen Acar and Perry Bialor), The Journal
of Art, Feb. 1991, p. 70.
"Acid Rain Threatens Romanesque Monument," The Journal of Art, Feb. 1991, p.
76.
"Unknown Works by Young Picasso Discovered in Spain," The Journal of Art,
Mar. 1991, p. 3.
"Schimmel Antiquities to be Sold," The Journal of Art, Mar. 1991, p. 3.
"The End of Art-Welfare in The Netherlands," The Journal of Art, Apr. 1991,
p. 32.
"The Treasure of Priam in Russian Hands," The Journal of Art, May 1991, pp.
1, 2.
"Dutch Close in on Cache of Stolen Master Drawings," The Journal of Art, May
1991, p. 4.
"Chicago Zeitgeist," The Journal of Art, May 1991, pp. 27-29.
"U.S. Art Institutions Face Disastrous Cuts," The Journal of Art,
June/July/Aug. 1991, p. 3.
"Swiss Museum Opens for Summer," The Journal of Art, June/July/Aug. 1991, p.
24.
"Cleveland Celebrates 75 Years of Fine Art," The Journal of Art,
June/July/Aug. 1991, p. 25.
"The Illustrated Bartsch: A Classic of its Kind," GAC Newsletter (Graphic
Arts Council of the Los Angeles County Museum of Art) Summer 1991, pp. 8-9.
"Frick Art Reference Library on the Rocks," The Journal of Art, Sept. 1991,
p. 3.
"Pierpont Morgan Library Doubles its Space," The Journal of Art, Oct. 1991,
p. 20.
"Beauty of Lausanne Painted Portal Revealed," The Journal of Art, Nov. 1991,
p. 74.
"Warhol should not have died, so his estate benefits," The Art Newspaper,
Feb. 1992, p. 4.
"Sleazy disclosures at the Rops Museum," The Art Newspaper, Feb. 1992, p. 5.
"The 'Two courtesans' really are watching the hunt," The Art Newspaper, Feb.
1992, p. 11.
"Mt Athos: 1000 years of monks and books," The Art Newspaper, Feb. 1992, p.
15.
"National Gallery to publish catalogue of Rembrandt watermarks," The Art
Newspaper, Feb. 1992, p. 16.
"How to deal with the Eastern European artworld, The Art Newspaper, Mar. 1992, p.
2.
"Whitney evicted by corporate sponsors," The Art Newspaper, Mar. 1992, p. 5.
"Only connect -- altarpiece reunited" (National Gallery, Washington), The Art
Newspaper, Mar. 1992, p. 13.
"Archivist champions exact restoration of St Michael's cathedral" (Brussels)
The Art Newspaper, Mar. 1992, p. 13.
"Il Brooklyn reinstalla i suoi dipinti europei (New York: Apre il 4 marzo il nuovo
allestimento)," Il Giornale dell'Arte, Mar. 1992, p. 25.
"Fumigating the N.E.A. in pre-election America," The Art Newspaper, Apr.
1992, pp. 1-2.
"Harvard beats Met and Peabody Museum for best collection of Korean ceramics
outside Korea," The Art Newspaper, Apr. 1992, p. 5.
"More than eggs from Fabergé" (U.S. museum food relief to Russia), The Art
Newspaper, Apr. 1992, p. 6.
"The more the Morgan grows the more it stays the same," The Art Newspaper,
Apr. 1992, p. 6.
"Widow of aircrash Senator donates $10 million to Yale," The Art Newspaper,
Apr. 1992, p. 6.
"Frohnmayer silurato: attacco da destra (Nea)," Il Giornale dell'Arte, April
1992, pp. 1, 3.
"Minneapolis Institute pays tribute to long-serving trustee Bruce B. Dayton,"
The Art Newspaper, May 1992, p. 5.
"Boston and Impressionism -- when you've got a good thing...," The Art
Newspaper, May 1992, p. 7.
"Texas show puts visitors at sea," The Art Newspaper, May 1992, p. 7.
"Beyond Elvis and barbecue: Memphis, Tennessee's 'WONDERS' series outperforms
major US museums but is snubbed by them," The Art Newspaper, May 1992, p. 8.
"What's that sculpture there and who owns it?" (Smithsonian launches US
survey), The Art Newspaper, May 1992, p. 10.
"Japanese give millions to Chicago for East Asian galleries," The Art
Newspaper, May 1992, p. 10.
"Meet the Etruscans!" (Seven rooms of Rome's Gregorian Etruscan Museum
refurbished courtesy of Americans) (with G. C. Gattinara), The Art Newspaper, May 1992, p.
14.
"Smithsonian welcomes Mesopotamian loan," The Art Newspaper, May 1992, p. 14.
"The International Art Expo is a bit less international" (Chicago), The Art
Newspaper, May 1992, p. 20.
"Il Whitney sfrattato dagli sponsor (New York: Due succursali di Manhattan
chiuderanno la prossima estate. Il museo dovrà riesumare il discusso progetto di
ampliamento di Michael Graves)," Il Giornale dell'Arte, May 1992, p. 34.
"Brooklyn Reinstalla i suoi dipinti europei (New York: Aperto dal 4 marzo il nuovo
accrochage)," Il Giornale dell'Arte, May 1992, p. 35.
"NEA vows to avoid funding 'overwhelming sexual experiences'," The Art
Newspaper, June 1992, p. 3.
"The making of America's top director" (Washington: In detail, how the
National Gallery of Art came to settle on Rusty Powell as head), The Art Newspaper, June
1992, p. 6.
"National Gallery brings American Indians into the tribe of the new art
history," The Art Newspaper, June 1992, p. 12.
"Rubens' great -- and huge -- 'Raising of the Cross' restored" (Antwerp: Its
home, the Cathedral, to be ready by 1993), The Art Newspaper, June 1992, p. 14.
"Bretschneider prize awarded to catalogues of Roman glass at the Toledo Museum of
Art," The Art Newspaper, June 1992, p. 15.
"American Art Review rides again," The Art Newspaper, June 1992, p. 15.
"Nominato il successore di Carter Brown: è 'Rusty' Powell," Il Giornale
dell'Arte, June 1992, p. 23.
"Radical New Curatorial Studies Program Christened at Bard College," Atelier,
July 1992, pp. 24-29.
"Non piace il muro del Museum of Contemporary Art (Chicago:I residenti contestano
un progetto troppo ingombrante),"Il Giornale dell'Arte, July-Aug. 1992, p. 21.
"A second slap in the face to ex-N.E.A. chief--but from the other side" (The
National Endowment for the Arts: Federal judge finds decency clause unconstitutional), The
Art Newspaper, July-Sept. 1992, p. 1.
"Mellon adds $25 million to the Yale Center for British Art endowment," The
Art Newspaper, July-Sept. 1992, p. 3.
"Tobacco sponsorship of the arts applauded by the Whitney," The Art
Newspaper, July-Sept. 1992, p. 3.
"Musée d'art contemporain, comes out of exile led by a Jesuit philosopher"
(Montreal: After twenty-four years, it leaves the remote site of Expo '67), The Art
Newspaper, July-Sept. 1992, p. 4.
"Los Angeles County Museum acquires Florentine Silk Weavers' Guild
altarpiece," The Art Newspaper, July-Sept. 1992, p. 4.
"Met and Brooklyn divide important collection of Modern American art, The Art
Newspaper, July-Sept. 1992, p. 4.
"Major gift of works by Calder to Chicago's contemporary museum," The Art
Newspaper, July-Sept. 1992, p. 4.
"Back to the drawing board for Museum of Contemporary Art" (Chicago:
Community rejects plan to raise garden above street level), The Art Newspaper, July-Sept.
1992, p. 5.
"Metropolitan takes on new medievalists," The Art Newspaper, July-Sept. 1992,
p. 5.
"Met's textile holdings further enhanced by rare early altar-frontal," The
Art Newspaper, July-Sept. 1992, p. 7.
"Nubian fruits of partage go on show at Museum of Fine Arts," The Art
Newspaper, July-Sept. 1992, p. 7.
"How to avoid a greedy disaster and develop dignified and durable tourism"
(Angkor Wat: International wrangling at last month's Asia Society conference on the way
ahead for South-East Asia's greatest cultural monuments), The Art Newspaper, July-Sept.
1992, p. 13.
"Musical chairs for America's top directors," The Art Newspaper, Oct. 1992,
p. 4.
"Government of Quebec spends millions on a bankrupt engineering company's
collection," The Art Newspaper, Oct. 1992, p. 8.
"Art Gallery of Ontario closed until 24 January (Toronto: Expanded and renovated
at a cost of C$58 million, but over 50% of staff laid off)," The Art Newspaper, Nov.
1992, p. 7.
"The elitist French vs. the soggy multiculturalists (Conferences: Highlight of the
International Council of Museums meeting was Russian Culture Minister Gubenko speaking
against the
mass media)," The Art Newspaper, Nov. 1992, p. 19.
"Musée d'Art Contemporain Montréal," Atelier, Nov. 1992, pp. 77-90.
"Quebec to convert museum into a gambling hall," The Art Newspaper, Dec.
1992, p. 12.
"Jung and the art of museum marketing (Art Gallery of Ontario: C$58 million push
towards financial independence)," The Art Newspaper, Jan. 1993, p. 8.
"Louvre/Met cooperation on archaeological loans (New York: Near Eastern
antiquities on display while Louvre reorganises)," The Art Newspaper, Jan.
1993, p. 10.
"Rival collections converge (Los Angeles County Museum of Art: Paley and Wertheim
Impressionists on show this month)," The Art Newspaper, Feb. 1993, p. 5.
"Jeff Koons: the new Pompier," The Art Newspaper, Feb. 1993, p. 5.
"You too can own your local museum" (Cincinatti Art Museum: Private
sponsorship in the American tradition restores ‘Art Palace of the West')," The
Art Newspaper, Feb. 1993, p. 7.
"Museum of Art director resigns after pleading 'no contest' to charge of public
lewdness (Dallas: Board ousts Rick Brettell only to rehire him privately)," The Art
Newspaper, Feb. 1993, p. 7.
"Brooklyn's Master Plan on hold: budget cuts halt West wing project (New
York)," The Art Newspaper, Feb. 1993, p. 9.
"Portraits of the artist" [Samaras], The Art Newspaper, Feb. 1993, p. 9.
"A return to works of art (College Art Association Conference: Venturi the keynote
speaker, de Kooning rewarded for life-time achievement)," The Art Newspaper, March
1993, p. 3.
"Speculator gives away $150 million (Aid for Eastern Europe:
George Soros, millionaire who made $2 billion out of collapse of the pound, funds aid
to ex-communist countries)" (with J.C.), The Art Newspaper, March 1993, p. 3.
"Governor makes State backing contingent on private participation (MASSMoCA:
Foundering plan to make a depressed mill town into a Guggenheim satellite for contemporary
art has until 31 July to raise $12 million)," The Art Newspaper, March 1993, p. 5.
"Government of Ontario rethinks punitive policy towards major museum
(Toronto)," The Art Newspaper, March 1993, p. 7.
"Carter Brown to be godfather of American arts TV (Art on film: New cable channel,
Ovation, to show cultural news,performances, museum visits and concerts)," The Art
Newspaper, April 1993, p. 2.
"Art shopping Japanese-style (Takashimiya [sic.])," The Art Newspaper, April
1993, p. 2.
"U.S. set to restore tax advantage for museum benefactors (Washington D.C.),"
The Art Newspaper, April 1993, p. 3.
"Anglophile professor donates 322 drawings (National Gallery, Washington),"
The Art Newspaper, April 1993, p. 11.
"Lest we forget (Washington, D.C.: $150 million Holocaust Museum opens)," The
Art Newspaper, April 1993, p. 13.
"Three organisations battle it out (Chicago Art Fairs: The fairs multiply as
organisers await the reopening of Navy Pier)," The Art Newspaper, April 1993, p. 25.
"Il faticoso risveglio del collezionismo polacco," Il Giornale dell'Arte,
April 1993, p. 17.
"Strategies for Survival: The Magazine Editors Speak," AICA USA Newsletter
(International Association of Art Critics, American Section), Spring 1993, pp. 3-4.
"Will WONDERS never cease?," The Art Newspaper, May 1993, p. 8.
"With $26 million voted by Congress, a larger, newer, smarter Freer Gallery,"
The Art Newspaper, May 1993, p. 12.
"Metropolitan opens new showcase for Pre-Columbian gold," The Art Newspaper,
May 1993, p. 13.
"La Freer Gallery fa la ruota" (on renovation) Il Giornale dell'Arte, May
1993, p. 20.
"Cambi de poltrone (Musei americani: Arrive partenze a Washington e Los Angeles
mentre il MoMa cerca un manager)," Il Giornale dell'Arte, May 1993, p. 21.
"Gli ori precolombiani Mitchell in permanenza al Met," Il Giornale dell'Arte,
May 1993, p. 23.
"Giving journalists status (The National Arts Journalism Program: A $3.2 million
grant funds the first fellowship programme aimed at boosting the importance of arts
journalism in the U.S. media)," The Art Newspaper, June 1993, p. 5.
"P.C. or not P.C.? That's not the question" (The Lila Wallace- Reader's
Digest Fund's 'Museums collections accessibility initiative'), The Art Newspaper, June
1993, p. 7.
"Jewish Museum reopens in a new French château on New York's museum mile,"
The Art Newspaper, June 1993, p. 9.
"Let us restore our patrimony for you (Japanese money and know- how to conserve
Eastern masterpieces in Western museums)," The Art Newspaper, June 1993, p. 18.
"Faux château nouveau per il Jewish di New York," Il Giornale dell'Arte,
June 1993, p. 20.
"Mixing politics and grants (National Endowment for the Arts)," The Art
Newspaper, July-Sept. 1993, p. 4.
"IBM Gallery falls victim to the recession," The Art Newspaper, July-Sept.
1993, p. 8.
"Musical chairs (U.S. museums: Post-Carter Brown reshuffle), The Art Newspaper,
July-Sept. 1993, p. 9.
"'A permanent blockbuster', says museum's director" (Nineteenth-century
revivalism to house Metropolitan’s new nineteenth-century European paintings and
sculpture," The Art Newspaper, July-Sept. 1993, p. 10.
"African, classic Modern and Contemporary in trio (SoHo, New York: Museum of
African Art the third tenant in gallery district's new 'museum mile')," The Art
Newspaper, July-Sept. 1993, p. 10.
"ICOM conservators to meet in Washington," The Art Newspaper, July-Sept.
1993, p. 26.
"Annenberg Elates The Metropolitan with a Choice van Gogh (What's Happening in New
York)," Atelier, Aug. 1993, p. 61.
"Botero 'the famous Italian artist'," The Art Newspaper, Oct. 1993, p. 1.
"Key positions in federal art agencies filled (U.S. government policy: One in four
Representatives in favour of abolishing the NEA)," The Art Newspaper, Oct. 1993, pp.
1, 3.
"Fake Botero Dupes Experts," Latin American Art, Oct. 1993, p. 27.
"Native Americans get their own back" (Cultural property: Many US states
returning skeletal remains to their descendants)," The Art Newspaper, Nov. 1993, p.
2.
"Billionairess launches college for decoration arts studies (New York: Susan Weber
Soros founds the Bard)," The ArtNewspaper, Nov. 1993, p. 2.
"Brinkmanship at the Met for the season's major show (The art of early medieval
Spain: Loan saturation and Spain's economic crisis threaten Hispanic exhibition
series)," The Art Newspaper, Nov. 1993, p. 8.
"The body in question at America's other biennial (The 43rd Corcoran Biennial:
Figuration leads as 'conveyor of social, political, psychological and philosophical
content')," The Art Newspaper, Nov. 1993, p. 10.
"Guggenheim Museum-Hummel deal on hold as Milan courts consider besmirched
Beuysiana (New York: Row over dubious Beuys drawings comes to US)," The Art
Newspaper, Nov. 1993, p. 13.
"'The arts and
humanities: there's something in it for you!' U.S. culture for the masses (Museum funding:
Vying for scarce public and private funds, American museums stress their economic and
social relevance)," The Art Newspaper, Dec. 1993, p. 10.
"The Blame in Spain falls mainly on...? (Madrid/New York: 'Mañana' was too late
for the Metropolitan as bureaucratic bungling in post-election Spain forced postponement
of this season's 'Early Medieval Spain')," The Art Newspaper, Dec. 1993, p. 11.
"A reviving interest (Lovis Corinth)," The Art Newspaper, Dec. 1993, p. 11.
"How Dutch was the Netherlands' Golden Age? (Rijksmuseum, Amsterdam: Sculpture,
paintings, ceramics and glass from the Northern Netherlands 1580-1620)," The Art
Newspaper, Dec. 1993, p. 13.
"The saga of American blacks according to Jacob Lawrence (San
Francisco/Washington, D.C.: America's racist past the subject of touring show)," The
Art Newspaper, Dec. 1993, p. 14.
"Anglophilia at the Met? (New York: Lucian Freud show opens on Central
Park)," The Art Newspaper, Dec. 1993, p. 15.
"Chi è il colpevole in Spagna? (Metropolitan, rinvio a due settimane
dall'apertura: Le opere d'arte medioevale spagnola non arrivano in tempo)," Il
Giornale dell'Arte, December 1993, p. 16.
"Non saremo mai Versailles o Fontainebleau, ma ci proviamo (La riapertura delle
prime 25 nuove sale al Philadelphia Museum)" (Interview: Anne d'Harnoncourt), Il
Giornale dell'Arte, December 1993, p. 23.
"Incoming director sacked before he takes office (Walters Art Gallery, Baltimore:
Irreconcilable differences discovered between Michael Mezzatesta, appointee, and the board
of the gallery)," The Art Newspaper, Jan. 1994, p. 14.
"Works of art spared (Los Angeles earthquake)," The Art Newspaper, Feb. 1994,
p. 3.
"Print giants shake hands (Tunick-Kornfeld: Epic battle over Picasso signature
ends)," The Art Newspaper, Feb. 1994, p. 26.
"And now there are only two (Chicago art fairs: Organisers hope to avoid last
year's confusion as two continue in May, while Art International aims for September), The
Art Newspaper, Mar. 1994, p. 27.
"Le musée Guggenheim licencie," Le Journal des Arts, Mar. 1994, p. 20.
"Bataille de foires (Chicago)," Le Journal des Arts, Mar. 1994, p. 38.
"U.S. Museums Make Collection-Leasing Deals," ARTnewsletter, Mar. 8, 1994, p.
3.
"Hiring out
the collection: the Whitney does, MOMA doesn't (Exhibition policies: US: Collection
leasing provides a fundraising alternative for some museums, and a surrogate permanent
collection for others)," The Art Newspaper, Apr. 1994, p. 11.
"Culture funds transferred into new superministry (Canada)," The Art
Newspaper, Apr. 1994, p. 15.
"1988 bond issue worth $54.9 million is still costing museum $7.5 million p.a.
(Guggenheim, New York: Thirty staff laid off and $100 million fund raising drive launched
to balance the books)," The Art Newspaper, Apr. 1994, p. 15.
"Rich
pickings for super-star architects (As the US museum boom continues despite the recession
The Art Newspaper surveys the mechanics of the expansion)," The Art Newspaper, Apr.
1994, pp. 17-18.
"Un budget culturel très libéral (Canada)," Le Journal des Arts, Apr. 1994,
p. 3.
"Le paradoxe des musées américaines (États-Unis: Ils réduisent leur personnel,
ou leurs projets d'exposition, mais développent leurs constructions ou leurs
extensions.)," Le Journal des Arts, Apr. 1994, p. 18.
"L'heritage culturel africain menacé (Mali: Les États-Unis prennent des
dispositions pour empêcher le pillage et le commerce illicite des antiquités)," Le
Journal des Arts, Apr. 1994, p. 25.
"Una santona, due matrone e tre pretendenti per un'eredità da 170 miliardi (Los
Angeles County Museum: Decisione salomonica tra Christian Science Church, Los Angeles
County Museum e Stanford University in lizza per un lascito controverso)," Il
Giornale dell'Arte, April 1994, p. 29.
"Cassa integrazione al Guggenheim (New York: Taglie al personale, mostre
posticipate e una questua da 1000 milioni di dollari per ripianare il bilancio (New
York)," Il Giornale dell'arte, April 1994, p. 30.
"Rejuvenating Joseph Stella's Market," ARTnewsletter, Apr. 5, 1994, pp. 3-4.
"The other Stella (no relation) at the Whitney (New York: A retrospective, long in
the making, may spur interest in Joseph Stella, a neglected American modernist)," The
Art Newspaper, May 1994, p. 8.
"Botero's corpulent creations on a global roll (Chicago/Madrid: After Florence,
Monte Carlo, Paris, New York and Buenos Aires, two more cities are promenading his
bronzes)," The Art Newspaper, May 1994, p. 10.
"Order restored at the Walters (Baltimore: Chief curator Gary Vikan named
director)," The Art Newspaper, May 1994, p. 17.
"Nouvelle politique pour les musées (États-Unis: La Location des collections: le
Musée Whitney y est favorable, mais le Musée d'art moderne de New York y est
hostile.)," Le journal des arts, May 1994, p. 15
"Miracle à l'américaine pour le Los Angeles County Museum?" (re: Christian
Science Church legacy), Le Journal des Arts, May 1994, p. 19.
"The Great Buildings Collection (Les 600 édifices les plus célèbres du
patrimoine mondial sur disque interactif)," Le Journal des Arts, May 1994, p. 23.
"Stella o meteora, per molti è un Ufo" (re: Joseph Stella at the Whitney),
Il Giornale dell'Arte, May 1994, p. 17.
"Donald Judd Estate to Create Foundation," ARTnewsletter, May 3, 1994, pp.
2-5.
"Not Frank Stella's Father (Art Market: New York)," ARTnews, Summer 1994, p.
37.
"Leonardo Codex on the market (The Armand Hammer Museum, LA)," The Art
Newspaper, June 1994, pp. 1-2.
"Clement
Greenberg: As the art world remembers him" (Interviews with John Russell, Hilton
Kramer, William Rubin, Robert Rosenblum, and Linda Nochlin), The Art Newspaper, June 1994,
p. 4.
"US collaborates with Mali (Cultural property)," The Art Newspaper, June
1994, p. 7.
"Bucking the recession in Texas (Houston: The Museum of Fine Arts' endowment has
grown to $157 million and a $50 million building by Raphael Moneo comes next), The Art
Newspaper, June 1994, p. 20.
"Da Codice Hammer a Codice Getty? (L'Armand Hammer Museum vende il prezioso testo
di Leonardo)," Il Giornale dell'Arte, June 1994, p. 68.
"Doutes sur la Fondation Ise (New York)," Le Journal des Arts, June 1994, p.
5.
"Å nous deux, Chicago! (Les bronzes de Botero sur les bords du lac
Michigan," Le Journal des Arts, June 1994, p. 15.
"Gary Vikan directeur de la Walters Art Gallery," Le journal des arts, June
1994, p. 20.
"A Joseph Cornell Cornucopia (It's What's in the Box That Counts),"
ARTnewsletter, June 14, 1994, pp. 2-3.
"Le Musée des beaux-arts s'agrandit (Houston: Au Texas, on sait faire face à la
récession), Le Journal des Arts, July-Aug.,1994, p. 23.
"Native American Graves" (response to letter to the editor), The Art
Newspaper, July-Sept. 1994, p. 3.
"US publisher draws a royal flush (New York: Harry N. Abrams adds the Guggenheim
to its stable of museums," The Art Newspaper, July-Sept. 1994, p. 27.
"La saga des faux dessins de Beuys (Vienne-Berlin-New York: Bataille de marchand
ed d'expert autour des dessins du Guggenheim)," Le Journal des Arts, Sept. 1994, p.
7.
"Quatre Stradivarius pour le Japon (Washington: De la Corcoran Gallery à la Japon
Music Foundation)," Le Journal des Arts, Sept. 1994, p. 20.
"Catalogue Raisonné for Rothko," The ARTnewsletter, Sept. 20, 1994, pp. 7-8.
"The museum carousel (USA and Canada: Who has moved where)," The Art
Newspaper, Oct. 1994, p. 10.
"The Kimbell still fancies Europeans (Brain drain: Joachim Pissarro arrives from
Lausanne)," The Art Newspaper, Oct. 1994, p. 10.
"Corcoran sells its Stradivari for $15 million (Washington, D.C.: Two violins, a
viola and cello bought by Japanese foundation)," The Art Newspaper, Oct. 1994, p. 12.
"The Cloisters buys a lion (London/New York)," The Art Newspaper, Oct. 1994,
p. 33.
"US tax penalties" [The International Scene: Sponsorship and Corporate
Collecting], The Art Newspaper, Oct. 1994, p. I.
"Alamo Rent a Car takes art museums for a spin" [The International Scene:
Sponsorship and Corporate Collecting], The Art Newspaper, Oct. 1994, p. IV.
"IBM's collection for sale" [The International Scene: Sponsorship and
Corporate Collecting], The Art Newspaper, Oct. 1994, p. XII.
"Corporations favour political correctness (USA)" [The International Scene:
Sponsorship and Corporate Collecting], The Art Newspaper, Oct. 1994, p. VIII.
"Le dernier codex de Léonard aux enchères (Los Angeles: Le Musée Armand Hammer
met en vente le précieux carnet chez Christie's New York)," Le Journal des Arts,
Oct. 1994, p. 3.
"L'aquamanile de Nuremberg au Cloisters (New York: Un septième aquamanile pour le
musée)," Le Journal des Arts, Oct. 1994, p. 25.
"Ma Leonardo si vende lo stesso (Il museo Hammer vince il 1° round
della battaglia legale), Il Giornale dell'Arte, Oct. 1994, pp. 78.
"American Indians get their due" (The Smithsonian Institution's National
Museum of the American Indian), The Art Newspaper, Nov. 1994, p. 13.
"The Whitney juggles with space (New York: The museum adds to its real estate
holdings, and takes on management of the Landau collection)," The Art Newspaper, Nov.
1994, p. 15.
"FotoFest 94 emphasises global environmental concerns" (Houston), The Art
Newspaper, Nov. 1994, p. 20.
"Six-figure sum for Frida Kahlo's journal (New York: Abrams's winning bid for
170-page illulstrated diary)," The Art Newspaper, Nov. 1994, p. 23.
"Giacometti at Acquavella (New York: Distinguished lenders involved)," The
Art Newspaper, Nov. 1994, p. 33.
"'Houston Fotofest', petit frère du Mois de la photo," Le Journal des arts,
Nov. 1994, p. 20.
"Big art theft now a federal crime (Crime: "The thief must live in prolonged
fear"), The Art Newspaper, Dec. 1994, p. 2.
"More museum moves (US)," The Art Newspaper, Dec. 1994, p. 15.
"Bought, begged or bequesthed in 1994 (US museum a
