From Rockefeller Center to Madison Square Park and the Park Avenue median, public art has become increasingly prominent around New York. Among the memorable projects in recent years were Christo and Jeanne-Claude’s The Gates winding through Central Park, Olafur Eliasson’s New York City Waterfalls edging the lower harbor, and Tatzu Nishi’s Discovering Columbus, a living room constructed around the column-top statue of the explorer at Columbus Circle, a hot ticket earlier this year.
Much has been written about the state of LA MOCA, its stumbling exhibition program, and the forced resignation of its chief curator Paul Schimmel. But not enough investigative work has been done to determine how director Jeffrey Deitch’s commercial profile may be affecting his leadership of MOCA.
Cai Guo-Qiang, the Chinese-born artist known for orchestrating pyrotechnic spectacles, is in Los Angeles this week to create a trio of new works that will be part of “Cai Guo-Qiang: Sky Ladder,” his first West Coast exhibition, on view at the Museum of Contemporary Art’s Geffen Contemporary from April 8-July 30.
The Frick Collection in NY has begun to stream its lectures, beginning with deputy director Colin Bailey’s talk about Renoir’s full-length figure paintings, subject of an exhibition at the museum.
Barbara and Aaron Levine are not major philanthropists on the scale of Duncan Phillips or Joseph Hirshhorn, but they bring comparable seriousness, perspicacity and enthusiasm to collecting, which focuses on Marcel Duchamp and Conceptual art by Joseph Kosuth, Lawrence Weiner, and others. A recent tour of their Georgian house in Washington, DC suggests that they are more interested in ideas than in big-ticket trophies and eye candy.