Much has been written about the state of LA MOCA, its stumbling exhibition program, and the forced resignation of its chief curator Paul Schimmel. But not enough investigative work has been done to determine how director Jeffrey Deitch’s commercial profile may be affecting his leadership of MOCA.
Cai Guo-Qiang, the Chinese-born artist known for orchestrating pyrotechnic spectacles, is in Los Angeles this week to create a trio of new works that will be part of “Cai Guo-Qiang: Sky Ladder,” his first West Coast exhibition, on view at the Museum of Contemporary Art’s Geffen Contemporary from April 8-July 30.
The Frick Collection in NY has begun to stream its lectures, beginning with deputy director Colin Bailey’s talk about Renoir’s full-length figure paintings, subject of an exhibition at the museum.
Barbara and Aaron Levine are not major philanthropists on the scale of Duncan Phillips or Joseph Hirshhorn, but they bring comparable seriousness, perspicacity and enthusiasm to collecting, which focuses on Marcel Duchamp and Conceptual art by Joseph Kosuth, Lawrence Weiner, and others. A recent tour of their Georgian house in Washington, DC suggests that they are more interested in ideas than in big-ticket trophies and eye candy.
Museums including MoMA, the Metropolitan, the Smithsonian and the Tate, and software companies like Google, are experimenting with new apps that meet audiences in the expanding virtual world. Technological leaps are rapidly making possible remote access to images and information about art museum collections, often on ipods, Androids and other smartphone devices.