If you weren’t around for the posthumous Andy Warhol retrospective at MoMA in 1989, and you haven’t studied postwar art, your knowledge about the Pop icon likely centers on soup cans and Marilyns. The Warhol retrospective at the Whitney Museum (until March 31, 2019) fleshes out his life and career.
Artphaire (Online), May 29, 2014.
“Capital Portraits: Treasures from Washington Private Collections,” at the National Portrait Gallery is hardly an ingenious or groundbreaking curatorial conceit, but it’s a display of high-quality works by John Singleton Copley and Gilbert Stuart, Mary Cassatt, William Merritt Chase, Andy Warhol and others that otherwise would not be accessible to the public. Blogger Tyler Green of Modern Art Notes condemns me for not trashing the show. I respond to him here.
The closely watched federal lawsuit in which a private collector is suing the Andy Warhol Foundation and its subsidiary Art Authentication Board is about to reach an abrupt and unexpected end. The London-based American Joe Simon, whose 2007 complaint challenges the Authentication Board’s rejection of the authenticity of the 1964 Warhol self-portrait that he owns, says that he and his lawyer, Seth Redniss of New York, will withdraw from the case at the next hearing.