Daniel and Mirella Levinas’s mansion in Georgetown is an ultra-modern museum displaying their collection of Latin American contemporary art. He is a trustee of the Hirshhorn Museum who fled the Argentine dictatorship and became a successful businessman in Washington, D.C..
The 54th edition of the Venice Biennale opened this month and remains on view through late fall. The core of the show is the Giardini park where 29 national pavilions present official exhibitions sent from Europe and the Americas, with a few from Asia, Africa and the Middle East, relative latecomers to the international art circuit. Nations lacking permanent pavilions get space in the nearby Arsenale or around town. A record 89 nations are participating this year, up from 77 in 2009.
The art collection inside the new United States Mission to the United Nations, as curated by Yale art school dean Robert Storr, is American art at its least provocative. The decorative mix of mainly abstract prints by well-known U.S. artists is unadventurous and uniformly anodyne — about what one would expect for a government building: nothing to ruffle the American eagle’s feathers.