Daniel and Mirella Levinas’s mansion in Georgetown is an ultra-modern museum displaying their collection of Latin American contemporary art. He is a trustee of the Hirshhorn Museum who fled the Argentine dictatorship and became a successful businessman in Washington, D.C..
MoMA’s new installation of its post-1960 collection seeks relevance in current affairs, but for the institition to advance it must look beyond the United States and Europe and extend its intellectual purview to Asia, India, Latin America, the Middle East and Africa. To neglect to do so is a form of cultural trade protectionism that will leave the museum behind the great globalist trend of the 21st century.
What should artists and critics urgently care about? A Whitney Museum show of early performance-related art represents curators’ interest in art about art. It’s part of the performance art vogue, but much of the art is rather minor.