In Living Color [David Hockney profile]
Luxury Magazine, Spring 2018, pp. 222-233.
Thoughts on a Chinese Artist Studying a Western Old Master [Jin Shangyi at Central Academy of Fine Arts, Beijing]
Jin Shangyi, a major Socialist Realist artist of the People’s Republic of China, explores the Classical realist tradition in three paintings based on masterpieces by Vermeer that are the centerpiece of his retrospective at the Central Academy of Fine Arts Museum in Beijing in 2011.
From Obscurity to Fame [Barnes Foundation]
Black Card Mag, Fall 2012, pp. 206-212.
The memoir MoMA declined to publish [William Rubin memoir]
The Art Newspaper 15.167 (Mar 2006)
A Collector Who Can Let Go of His Treasures [Eugene V. Thaw profile]
The New York Times, Late Edition (East Coast) [New York, N.Y] 24 Nov 2002, p. a.42.
The Timeless Realism of Antonio López García
The World and I, Dec. 1991, pp. 234-39.
The Art of Francis Bacon
The World and I, Aug. 1990, pp. 208-13.
Picasso and Braque: Mano a Mano [“Pioneering Cubism” at MoMA]
The World and I, Oct. 1989, pp. 278-83.
George Condo’s Slapdash Mediocrity Spoofs the Masters, Fools Collectors
George Condo – on exhibition at the New Museum – says he paints like the Old Masters, but applies their technical finesse to subjects of his own invention. Don’t believe it. The paint handling is muddy and effects of light and shade, volume and texture inexpertly rendered. He says his works have to do with madness or dark visions, but they look puerile and silly.
Gary Tinterow’s Agenda for Contemporary Art at the Metropolitan Museum — Introduction to the Interview
IN VIEW blog, Aug. 26, 2010